[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"painting-the-death-of-marat":3,"painting-artists-the-death-of-marat":77},{"title":4,"id":5,"artists":6,"slug":28,"date":29,"description":30,"height":31,"image":32,"inPrivateCollection":33,"isLocationUnknown":33,"originalTitle":34,"popularity":35,"width":36,"wikipediaId":37,"collections":38,"genres":39,"museum":44,"movements":70,"mediums":72},"The Death of Marat","3ed14ae4-304e-441a-972a-e37cafc73b7c",[7],{"name":8,"id":9,"nationality":10,"slug":14,"biography":15,"born":16,"death":17,"image":18,"popularity":19,"sex":20,"wikipediaId":21,"movements":22},"Jacques Louis David","c1332724-9ff8-4985-92e0-86ca0ee64bae",{"id":11,"name":12,"slug":13},"ed07084f-12cd-4fcc-b61e-8f2ba92e0866","French","french","jacques-louis-david","Jacques-Louis David (French: ; 30 August 1748 – 29 December 1825) was a French painter in the Neoclassical style, considered to be the preeminent painter of the era. In the 1780s, his cerebral brand of history painting marked a change in taste away from Rococo frivolity toward classical austerity, severity, and heightened feeling, which harmonized with the moral climate of the final years of the Ancien Régime.\n\nDavid later became an active supporter of the French Revolution and friend of Maximilien Robespierre (1758–1794), and was effectively a dictator of the arts under the French Republic. Imprisoned after Robespierre's fall from power, he aligned himself with yet another political regime upon his release: that of Napoleon, the First Consul of France. At this time he developed his Empire style, notable for its use of warm Venetian colours. After Napoleon's fall from Imperial power and the Bourbon revival, David exiled himself to Brussels, then in the United Kingdom of the Netherlands, where he remained until his death. David had many pupils, making him the strongest influence in French art of the early 19th century, especially academic Salon painting.","1748-08-30","1825-12-29","jacques-louis-david\u002Fjacques-louis-david",17,"MALE","Jacques-Louis_David",[23],{"name":24,"id":25,"slug":26,"dates":27},"Neoclassicism","55bb3977-6a0c-40bc-8e60-e1546a18e193","neoclassicism","","the-death-of-marat","1793","The Death of Marat (French: La Mort de Marat or Marat Assassiné) is a 1793 painting by Jacques-Louis David depicting the artist's friend and murdered French revolutionary leader, Jean-Paul Marat. One of the most famous images from the era of the French Revolution, it was painted when David was the leading French Neoclassical painter, a Montagnard, and a member of the revolutionary Committee of General Security. Created in the months after Marat's death, the painting shows Marat lying dead in his bath after his assassination by Charlotte Corday on 13 July 1793.\n\nIn 2001, art historian T. J. Clark called David's painting the first modernist work for \"the way it took the stuff of politics as its material, and did not transmute it\".\n\nThe painting is in the collection of the Royal Museum of Fine Arts of Belgium. A replica, created by the artist's studio, is on display at the Louvre.",162,"jacques-louis-david\u002Fthe-death-of-marat\u002Fthe-death-of-marat",false,"La Mort de Marat (French)",56,128,"The_Death_of_Marat",[],[40],{"name":41,"id":42,"slug":43},"Figure painting","8b9c0def-0123-4567-89ab-cdef12345678","figure-painting",{"address":45,"latitude":46,"longitude":47,"name":48,"zipCode":49,"id":50,"city":51,"slug":61,"description":62,"background":63,"logo":64,"phone":65,"popularity":66,"schedules":67,"website":68,"wikipediaId":69},"Rue de Rivoli",48.8606,2.3376,"The Louvre","75001","3e34a0d4-4a99-4a9b-b804-3459b1a9d4f8",{"latitude":52,"longitude":53,"name":54,"id":55,"country":56,"slug":60,"image":27},48.8566,2.3522,"Paris","c9f0f895-fbdd-4ad7-9f28-2af0649b67a6",{"id":57,"name":58,"slug":59},"a9e28580-2462-4a82-8456-a1e0f199e85f","France","france","paris","the-louvre","The Louvre, or the Louvre Museum (French: Musée du Louvre), is a national art museum in Paris, France, and the most visited museum in the world. It is located on the Right Bank of the Seine in the city's 1st arrondissement (district) and home to some of the most canonical works of Western art, including the Mona Lisa, Venus de Milo, and Winged Victory. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I converted it into the primary residence of the French kings.\n\nThe building was redesigned and extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of ancient Greek and Roman sculpture. In 1692, the building was occupied by the Académie des Inscriptions et Belles-Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years. During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nation's masterpieces. The palace and exhibition space was expanded in the 19th century and again in the 20th.\n\nThe museum opened on 10 August 1793 with an exhibition of 537 paintings, the majority of the works being royal and confiscated church property. Because of structural problems with the building, the museum was closed from 1796 until 1801. The collection was increased under Napoleon, after the Napoleonic looting of art in Europe, Egypt, and Syria, and the museum was renamed Musée Napoléon, but after Napoleon's abdication, many works seized by his armies were returned to their original owners. The collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic. The collection is divided into eight departments: Egyptian Antiquities; Near Eastern Antiquities; Greek, Etruscan, and Roman Antiquities; Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and Drawings.\n\nThe Musée du Louvre contains approximately 500,000 objects and displays 35,000 works of art in eight curatorial departments with more than 60,600 m2 (652,000 sq ft) dedicated to the permanent collection. The Louvre exhibits sculptures, objets d'art, paintings, drawings, and archaeological finds. At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 m2 (782,910 sq ft), making it the largest museum in the world. It received 8.7 million visitors in 2024, ranking it as the most-visited art museum, and most-visited museum of any category, in the world.","the-louvre\u002Fbackground\u002Fthe-louvre_background","the-louvre\u002Flogo\u002Fthe-louvre_logo","01 40 20 53 17",1,"Daily: 9:00 AM – 6:00 PM\nWednesday and Friday: open until 8:30 PM\nTuesday: closed","https:\u002F\u002Fwww.louvre.fr","Louvre",[71],{"name":24,"id":25,"slug":26,"dates":27},[73],{"name":74,"id":75,"slug":76},"Oil on canvas","f74fc1b0-2804-4c39-a52c-84cad71698d7","oil-on-canvas",[78],[79,107,132],{"title":80,"id":81,"artists":82,"slug":85,"date":86,"description":87,"height":88,"image":89,"inPrivateCollection":33,"isLocationUnknown":33,"originalTitle":90,"popularity":91,"width":92,"wikipediaId":93,"collections":94,"genres":95,"museum":100,"movements":103,"mediums":105},"The Coronation of Napoleon","e0c79319-d085-4b49-8d29-67cc8b69a71e",[83],{"name":8,"id":9,"nationality":84,"slug":14,"biography":15,"born":16,"death":17,"image":18,"popularity":19,"sex":20,"wikipediaId":21},{"id":11,"name":12,"slug":13},"the-coronation-of-napoleon","1805–1807","The Coronation of Napoleon (French: Le Sacre de Napoléon) is a painting completed in 1807 by Jacques-Louis David, the official painter of Napoleon, depicting the coronation of Napoleon at Notre-Dame de Paris. The oil painting has imposing dimensions – it is almost 10 metres (33 ft) wide by a little over 6 metres (20 ft) tall. The work is on display at the Louvre Museum in Paris.",621,"jacques-louis-david\u002Fthe-coronation-of-napoleon\u002Fthe-coronation-of-napoleon","Le Sacre de Napoléon (French)",24,979,"The_Coronation_of_Napoleon",[],[96],{"name":97,"id":98,"slug":99},"Historical","7c4fd70a-c639-46a9-9138-c1a21665ca09","historical",{"address":45,"latitude":46,"longitude":47,"name":48,"zipCode":49,"id":50,"city":101,"slug":61,"description":62,"background":63,"logo":64,"phone":65,"popularity":66,"schedules":67,"website":68,"wikipediaId":69},{"latitude":52,"longitude":53,"name":54,"id":55,"country":102,"slug":60,"image":27},{"id":57,"name":58,"slug":59},[104],{"name":24,"id":25,"slug":26,"dates":27},[106],{"name":74,"id":75,"slug":76},{"title":108,"id":109,"artists":110,"slug":113,"date":114,"description":115,"height":116,"image":117,"inPrivateCollection":33,"isLocationUnknown":33,"originalTitle":118,"popularity":119,"width":120,"wikipediaId":121,"collections":122,"genres":123,"museum":125,"movements":128,"mediums":130},"Oath of the Horatii","7c916f46-7bc8-4a8d-9fce-d514fa897bd9",[111],{"name":8,"id":9,"nationality":112,"slug":14,"biography":15,"born":16,"death":17,"image":18,"popularity":19,"sex":20,"wikipediaId":21},{"id":11,"name":12,"slug":13},"oath-of-the-horatii","1784","Oath of the Horatii (French: Le Serment des Horaces) is a large painting by the French artist Jacques-Louis David painted in 1784 and 1785 and now on display in the Louvre in Paris. The painting immediately became a huge success with critics and the public and remains one of the best-known paintings in the Neoclassical style.\n\nIt depicts a scene from the story of the Horatii and Curiatii, a Roman legend about a seventh-century BC dispute between two warring cities, Rome and Alba Longa, and stresses the importance of patriotism and masculine self-sacrifice for one's country. Instead of the two cities sending their armies to war, they agree to choose three men from each city; the victor in that fight will be the victorious city. From Rome, three brothers from a Roman family, the Horatii, agree to end the war by fighting three brothers from a family of Alba Longa, the Curiatii. The three brothers, all of whom appear willing to sacrifice their lives for the good of Rome, are shown stretching their hands towards their father who holds their swords out to them. Of the three Horatii brothers, only one will survive the confrontation. However, it is the surviving brother who is able to kill the other three fighters from Alba Longa: he allows the three fighters to chase him, causing them to separate from each other, and then, in turn, kills each Curiatii brother. Aside from the three brothers depicted, David also represents, in the bottom right corner, a woman crying while sitting down. She is Camilla, a sister of the Horatii brothers, who is also betrothed to one of the Curiatii fighters, and thus she weeps in the realisation that, whatever happens, she will lose someone she loves. Seeing her weep over her dead betrothed, the surviving brother, Publius, kills Camilla for weeping over the enemy.\n\nThe principal sources for the story behind David's Oath are the first book of Livy (sections 24–26) which was elaborated by Dionysius in book 3 of his Roman Antiquities. However, the moment depicted in David's painting is his own invention.\n\nIt grew to be considered a paragon of neoclassical art. The painting increased David's fame, allowing him to take on his own students.",329.8,"jacques-louis-david\u002Foath-of-the-horatii\u002Foath-of-the-horatii","Le Serment des Horaces (French)",41,424.8,"Oath_of_the_Horatii",[],[124],{"name":97,"id":98,"slug":99},{"address":45,"latitude":46,"longitude":47,"name":48,"zipCode":49,"id":50,"city":126,"slug":61,"description":62,"background":63,"logo":64,"phone":65,"popularity":66,"schedules":67,"website":68,"wikipediaId":69},{"latitude":52,"longitude":53,"name":54,"id":55,"country":127,"slug":60,"image":27},{"id":57,"name":58,"slug":59},[129],{"name":24,"id":25,"slug":26,"dates":27},[131],{"name":74,"id":75,"slug":76},{"title":133,"id":134,"artists":135,"slug":138,"date":139,"description":140,"height":141,"image":142,"inPrivateCollection":33,"isLocationUnknown":33,"originalTitle":143,"popularity":144,"width":145,"wikipediaId":146,"collections":147,"genres":148,"museum":150,"movements":151,"mediums":153},"Napoleon Crossing the Alps","5be80ea9-3dfb-429e-9c57-c2b5a0a8718e",[136],{"name":8,"id":9,"nationality":137,"slug":14,"biography":15,"born":16,"death":17,"image":18,"popularity":19,"sex":20,"wikipediaId":21},{"id":11,"name":12,"slug":13},"napoleon-crossing-the-alps","1801","Napoleon Crossing the Alps (also known as Napoleon at the Saint-Bernard Pass or Bonaparte Crossing the Alps; listed as Le Premier Consul franchissant les Alpes au col du Grand Saint-Bernard) is a series of five oil on canvas equestrian portraits of Napoleon Bonaparte painted by the French artist Jacques-Louis David between 1801 and 1805. Initially commissioned by the King of Spain, the composition shows a strongly idealized view of the real crossing that Napoleon and his army made along the Alps through the Great St Bernard Pass in May 1800.\n\nIt has become one of the most commonly reproduced images of Napoleon.",261,"jacques-louis-david\u002Fnapoleon-crossing-the-alps\u002Fnapoleon-crossing-the-alps","Bonaparte franchissant le Grand-Saint-Bernard (French)",57,221,"Napoleon_Crossing_the_Alps",[],[149],{"name":41,"id":42,"slug":43},{},[152],{"name":24,"id":25,"slug":26,"dates":27},[154],{"name":74,"id":75,"slug":76}]