[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"painting-guernica":3,"painting-artists-guernica":83},{"title":4,"id":5,"artists":6,"slug":32,"date":33,"description":34,"height":35,"image":36,"inPrivateCollection":37,"isLocationUnknown":37,"originalTitle":38,"popularity":39,"width":40,"wikipediaId":41,"collections":42,"genres":43,"museum":48,"movements":73,"mediums":78},"Guernica","f727e5c5-278e-473f-bb12-58a91745bdfd",[7],{"name":8,"id":9,"nationality":10,"slug":14,"biography":15,"born":16,"death":17,"image":18,"popularity":19,"sex":20,"wikipediaId":21,"movements":22},"Pablo Picasso","71b4c2ca-ee41-4a0b-9b03-bb77936f683b",{"id":11,"name":12,"slug":13},"4a09a1c7-aa43-449d-8504-5ee4f0da4987","Spanish","spanish","pablo-picasso","Pablo Ruiz Picasso (25 October 1881 – 8 April 1973) was a Spanish painter, sculptor, printmaker, ceramicist, and theatre designer who spent most of his adult life in France. One of the most influential artists of the 20th century, he is known for co-founding the Cubist movement, the invention of constructed sculpture, the co-invention of collage, and for the wide variety of styles that he helped develop and explore. Among his most famous works are the proto-Cubist Les Demoiselles d'Avignon (1907) and the anti-war painting Guernica (1937), a dramatic portrayal of the bombing of Guernica by German and Italian air forces during the Spanish Civil War.\n\nBeginning his formal training under his father José Ruiz y Blasco aged seven, Picasso demonstrated extraordinary artistic talent from a young age, painting in a naturalistic manner through his childhood and adolescence. During the first decade of the 20th century, his style changed as he experimented with different theories, techniques, and ideas. After 1906, the Fauvist work of the older artist Henri Matisse motivated Picasso to explore more radical styles, beginning a fruitful rivalry between the two artists, who subsequently were often paired by critics as the leaders of modern art.\n\nPicasso's output, especially in his early career, is often periodized. While the names of many of his later periods are debated, the most commonly accepted periods in his work are the Blue Period (1901–1904), the Rose Period (1904–1906), the African-influenced Period (1907–1909), Analytic Cubism (1909–1912), and Synthetic Cubism (1912–1919), also referred to as the Crystal period. Much of Picasso's work of the late 1910s and early 1920s is in a neoclassical style, and his work in the mid-1920s often has characteristics of Surrealism. His later work often combines elements of his earlier styles.\n\nExceptionally prolific throughout the course of his long life, Picasso achieved universal renown and immense fortune for his revolutionary artistic accomplishments, and became one of the best-known figures in 20th-century art.","1881-10-25","1973-10-08","pablo-picasso\u002Fpablo-picasso",5,"MALE","Pablo_Picasso",[23,28],{"name":24,"id":25,"slug":26,"dates":27},"Surrealism","57992a0c-6d2c-4081-aca8-e429c561e59e","surrealism","",{"name":29,"id":30,"slug":31,"dates":27},"Modern Art","f4c96565-ac59-4dd1-802c-46e44261c09a","modern-art","guernica","1937","Guernica is a large 1937 oil painting by Spanish artist Pablo Picasso. It is one of his best-known works, regarded by many art critics as the most moving and powerful anti-war painting in history. It is exhibited in the Museo Reina Sofía in Madrid.\n\nThe grey, black, and white painting, on a canvas 3.49 meters (11 ft 5 in) tall and 7.76 meters (25 ft 6 in) across, portrays the suffering wrought by violence and chaos. Prominently featured in the composition are a gored horse, a bull, screaming women, a dead baby, a dismembered soldier, and flames.\n\nPicasso painted Guernica at his home in Paris in response to the 26 April 1937 bombing of Guernica, a town in the Basque Country in northern Spain, by Nazi Germany's Condor Legion and Fascist Italy. Upon completion, Guernica was exhibited at the Spanish pavilion at the 1937 Paris International Exposition and then at other venues around the world. The touring exhibition was used to raise funds for Spanish war relief. The painting soon became widely acclaimed, helping to bring worldwide attention to the Spanish Civil War that took place from 1936 to 1939.",349.3,"pablo-picasso\u002Fguernica\u002Fguernica",false,"Guernica (Spanish)",10,776.5,"Guernica_(Picasso)",[],[44],{"name":45,"id":46,"slug":47},"Abstract","8175aee2-f0d0-4a22-b889-cf436e203aea","abstract",{"address":49,"latitude":50,"longitude":51,"name":52,"zipCode":53,"id":54,"city":55,"slug":65,"description":66,"background":67,"logo":68,"phone":69,"popularity":70,"schedules":27,"website":71,"wikipediaId":72},"C. de Sta. Isabel, 52, Centro",40.4165,-3.7026,"Museo Nacional Centro de Arte Reina Sofía","28012","3eba66e2-dc02-42a5-91d2-7580ef45f626",{"latitude":56,"longitude":57,"name":58,"id":59,"country":60,"slug":64,"image":27},40.4168,-3.7038,"Madrid","aab32389-9e1f-4ebc-8f96-9404f55e3b6a",{"id":61,"name":62,"slug":63},"3df0b5e9-4116-4886-8114-019bb3a989c0","Spain","spain","madrid","museo-nacional-centro-de-arte-reina-sofia","The Museo Nacional Centro de Arte Reina Sofía (\"Queen Sofía National Museum Art Centre\"; MNCARS) is Spain's national museum of 20th-century art. The museum was officially inaugurated on September 10, 1992, and is named for Queen Sofía. It is located in Madrid, near the Atocha train and metro stations, at the southern end of the so-called Golden Triangle of Art (located along the Paseo del Prado and also comprising the Museo del Prado and the Museo Thyssen-Bornemisza).\n\nThe museum is mainly dedicated to Spanish art. Highlights of the museum include collections of Spain's two greatest 20th-century masters, Pablo Picasso and Salvador Dalí. The most famous masterpiece in the museum is Picasso's 1937 painting Guernica. Along with its extensive collection, the museum offers a mixture of national and international temporary exhibitions in its many galleries, making it one of the world's largest museums for modern and contemporary art. In 2021, due to the COVID-19 pandemic restrictions, it attracted 1,643,108 visitors, up 32 percent from 2020, but well below 2019 attendance. In 2021 it ranked eighth on the list of most-visited art museums in the world.\n\nIt also hosts a free-access library specializing in art, with a collection of over 100,000 books, over 3,500 sound recordings, and almost 1,000 videos.","museo-nacional-centro-de-arte-reina-sofia\u002Fbackground\u002Fmuseo-nacional-centro-de-arte-reina-sofia_background","museo-nacional-centro-de-arte-reina-sofia\u002Flogo\u002Fmuseo-nacional-centro-de-arte-reina-sofia_logo","+34 917 74 10 00",15,"https:\u002F\u002Fwww.museoreinasofia.es\u002Fen","Museo_Nacional_Centro_de_Arte_Reina_Sofía",[74],{"name":75,"id":76,"slug":77,"dates":27},"Cubism","472dbc5e-4303-4abe-9c8a-bda1aa4bcddf","cubism",[79],{"name":80,"id":81,"slug":82},"Oil on canvas","f74fc1b0-2804-4c39-a52c-84cad71698d7","oil-on-canvas",[84],[85],{"title":86,"id":87,"artists":88,"slug":91,"date":92,"description":93,"height":94,"image":95,"inPrivateCollection":37,"isLocationUnknown":37,"originalTitle":96,"popularity":97,"width":98,"wikipediaId":99,"collections":100,"genres":101,"museum":106,"movements":132,"mediums":137},"The Ladies of Avignon","54d214a8-5e24-4260-8af1-f1a4144ae08c",[89],{"name":8,"id":9,"nationality":90,"slug":14,"biography":15,"born":16,"death":17,"image":18,"popularity":19,"sex":20,"wikipediaId":21},{"id":11,"name":12,"slug":13},"the-ladies-of-avignon","1907","Les Demoiselles d'Avignon (The Young Ladies of Avignon, originally titled The Brothel of Avignon) is a large oil painting created in 1907 by the Spanish artist Pablo Picasso. Part of the permanent collection of the Museum of Modern Art in New York, it portrays five nude female prostitutes in a brothel on Carrer d'Avinyó, a street in Barcelona, Spain. The figures are confrontational and not conventionally feminine, being rendered with angular and disjointed body shapes, some to a menacing degree. The far left figure exhibits facial features and dress of Egyptian or southern Asian style. The two adjacent figures are in an Iberian style of Picasso's Spain, while the two on the right have African mask-like features. Picasso said the ethnic primitivism evoked in these masks moved him to \"liberate an utterly original artistic style of compelling, even savage force\" leading him to add a shamanistic aspect to his project.\n\nDrawing from tribal primitivism while eschewing central dictates of Renaissance perspective and verisimilitude for a compressed picture plane using a Baroque composition while employing Velazquez's confrontational approach seen in Las Meninas, Picasso sought to take the lead of the avant-garde from Henri Matisse. John Richardson said Demoiselles made Picasso the most pivotal artist in Western painting since Giotto and laid a path forward for Picasso and Georges Braque to follow in their joint development of cubism, the effects of which on modern art were profound and unsurpassed in the 20th century.\n\nLes Demoiselles was revolutionary, controversial and led to widespread anger and disagreement, even amongst the painter's closest associates and friends. Henri Matisse considered the work something of a bad joke yet indirectly reacted to it in his 1908 Bathers with a Turtle. Georges Braque too initially disliked the painting yet studied the work in great detail. His subsequent friendship and collaboration with Picasso led to the cubist revolution. Its resemblance to Cézanne's The Bathers, Paul Gauguin's statue Oviri and El Greco's Opening of the Fifth Seal has been widely discussed by later critics.\n\nAt the time of its first exhibition in 1916, the painting was deemed immoral. Painted in Picasso's studio in the Bateau-Lavoir in Montmartre, Paris, it was seen publicly for the first time at the Salon d'Antin in July 1916, at an exhibition organized by the poet André Salmon. It was at this exhibition that Salmon, who had previously titled the painting in 1912 Le bordel philosophique, renamed it to its current, less scandalous title, Les Demoiselles d'Avignon, instead of the title originally chosen by Picasso, Le Bordel d'Avignon. Picasso, who always referred to it as mon bordel (\"my brothel\"), or Le Bordel d'Avignon, never liked Salmon's title and would have instead preferred the bowdlerization Las chicas de Avignon (\"The Girls of Avignon\").",243.9,"pablo-picasso\u002Fthe-ladies-of-avignon\u002Fthe-ladies-of-avignon","Les Demoiselles d'Avignon (French)",49,233.7,"Les_Demoiselles_d'Avignon",[],[102],{"name":103,"id":104,"slug":105},"Figure painting","8b9c0def-0123-4567-89ab-cdef12345678","figure-painting",{"address":107,"latitude":108,"longitude":109,"name":110,"zipCode":111,"id":112,"city":113,"slug":123,"description":124,"background":125,"logo":126,"phone":127,"popularity":128,"schedules":129,"website":130,"wikipediaId":131},"11 W 53rd St",40.7614,-73.9776,"Museum of Modern Art (MoMa)","10019","52d50c03-3926-4b70-b256-c7d9960f5a8f",{"latitude":114,"longitude":115,"name":116,"id":117,"country":118,"slug":122,"image":27},40.7128,-74.006,"New York","1679091c-45b4-4d44-a6f6-33535e89d0f7",{"id":119,"name":120,"slug":121},"163eceee-fc56-4c98-b05e-32dce9a959a5","United States of America","united-states-of-america","new-york","museum-of-modern-art-mo-ma","The Museum of Modern Art (MoMA) is an art museum located in Midtown Manhattan, New York City, on 53rd Street between Fifth and Sixth Avenues. MoMA's collection spans the late 19th century to the present, and includes over 200,000 works of architecture and design, drawing, painting, sculpture, photography, prints, illustrated and artist's books, film, as well as electronic media.\n\nThe institution was conceived in 1929 by Abby Aldrich Rockefeller, Lillie P. Bliss, and Mary Quinn Sullivan. Initially located in the Heckscher Building on Fifth Avenue, it opened just days after the Wall Street Crash. The museum was led by A. Conger Goodyear as president and Abby Rockefeller as treasurer, with Alfred H. Barr Jr. as its first director. Under Barr's leadership, the museum's collection rapidly expanded, beginning with an inaugural exhibition of works by European modernists. Despite financial challenges, including opposition from John D. Rockefeller Jr., the museum moved to several temporary locations in its early years, and John D. Rockefeller Jr. eventually donated the land for its permanent site. In 1939, the museum moved to its current location on West 53rd Street designed by architects Philip L. Goodwin and Edward Durell Stone. A new sculpture garden, designed by Barr and curator John McAndrew, also opened that year.\n\nFrom the 1930s through the 1950s, MoMA became a host to several landmark exhibitions, including Barr's influential \"Cubism and Abstract Art\" in 1936. Nelson Rockefeller became the museum's president in 1939, playing a key role in its expansion and publicity. David Rockefeller joined the board in 1948 and continued the family's close association with the museum until his death in 2017. In 1953, Philip Johnson redesigned the garden, which subsequently became the Abby Aldrich Rockefeller Sculpture Garden. In 1958, a fire at MoMA destroyed a painting by Claude Monet and led to the evacuation of other artworks. In later decades, the museum was among several institutions to aid the CIA in its efforts to engage in cultural propaganda during the Cold War. Major expansions in the 1980s and the early 21st century, including the selection of Japanese architect Yoshio Taniguchi for a significant renovation, nearly doubled MoMA's space for exhibitions and programs. The 2000s saw the formal merger with the P.S. 1 Contemporary Art Center, and in 2019, another major renovation added significant gallery space.\n\nThe museum has been instrumental in shaping the history of modern art, particularly modern art from Europe. In recent decades, MoMA has expanded its collection and programming to include works by traditionally underrepresented groups. The museum has been involved in controversies regarding its labor practices, and the institution's labor union, founded in 1971, has been described as the first of its kind in the U.S. The MoMA Library includes about 300,000 books and exhibition catalogs, more than 1,000 periodical titles and more than 40,000 files of ephemera about individual artists and groups. The archives hold primary source material related to the history of modern and contemporary art. In 2023, MoMA was visited by over 2.8 million people, making it the 15th most-visited art museum in the world and the 6th most-visited museum in the United States.","museum-of-modern-art\u002Fbackground\u002Fmuseum-of-modern-art_background","museum-of-modern-art\u002Flogo\u002Fmuseum-of-modern-art_logo","+1 212-708-9400",2,"Daily: 10:30 AM – 5:30 PM\nFriday: open until 9:80 PM","https:\u002F\u002Fwww.moma.org","Museum_of_Modern_Art",[133],{"name":134,"id":135,"slug":136,"dates":27},"Proto-Cubism","64561441-27fd-49d0-a6d7-e2df7ab36606","proto-cubism",[138],{"name":80,"id":81,"slug":82}]