[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"museum-uffizi-gallery":3,"museum-nearby-uffizi-gallery":37,"museum-paintings-uffizi-gallery":38},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":10,"slug":19,"description":20,"background":21,"logo":22,"phone":23,"popularity":24,"schedules":25,"website":26,"wikipediaId":27,"popularPaintingImages":28},"Piazzale degli Uffizi",43.7687,11.2559,"Uffizi Gallery","50122","9ddbd1f9-4e02-4a8f-a1d2-95e12df7f5ed",{"latitude":5,"longitude":6,"name":11,"id":12,"country":13,"slug":17,"image":18},"Florence","6512bd43-d9c2-4e33-9a9f-f90b5a81f2e4",{"id":14,"name":15,"slug":16},"1b8d9394-d613-47b2-8fab-248c12a7246d","Italy","italy","florence","","uffizi-gallery","The Uffizi Gallery (UK: \u002Fjuːˈfɪtsi, ʊˈfiːtsi\u002F yoo-FIT-see, uu-FEET-see; Italian: Galleria degli Uffizi, pronounced ) is a prominent art museum adjacent to the Piazza della Signoria in the Historic Centre of Florence in the region of Tuscany, Italy. One of the most important Italian museums and the most visited, it is also one of the largest and best-known in the world and holds a collection of priceless works, particularly from the period of the Italian Renaissance.\n\nAfter the ruling House of Medici died out, their art collections were given to the city of Florence under the famous Patto di famiglia (\"family pact\") negotiated by Anna Maria Luisa, the last Medici heiress. The Uffizi is one of the first modern museums. The gallery had been open to visitors by request since the sixteenth century, and in 1769 it was officially opened to the public, formally becoming a museum in 1865.","uffizi-gallery\u002Fbackground\u002Fuffizi-gallery_background","uffizi-gallery\u002Flogo\u002Fuffizi-gallery_logo","+39 055 294883",7,"Daily: 8.15 AM - 6.30 PM\nMondays, 1 January and 25 December: closed","https:\u002F\u002Fwww.uffizi.it","Uffizi",[29,30,31,32,33,34,35,36],"sandro-botticelli\u002Fbirth-of-venus\u002Fbirth-of-venus","leonardo-da-vinci\u002Fannunciation\u002Fannunciation","caravaggio\u002Fmedusa\u002Fmedusa","titian\u002Fvenus-of-urbino\u002Fvenus-of-urbino","sandro-botticelli\u002Fprimavera\u002Fprimavera","michelangelo\u002Fdoni-tondo\u002Fdoni-tondo","caravaggio\u002Fbacchus\u002Fbacchus","leonardo-da-vinci\u002Fthe-baptism-of-christ\u002Fthe-baptism-of-christ",[],{"items":39,"total":339,"page":340,"pageSize":341,"totalPages":100},[40,87,138,180,220,249,283,312],{"title":41,"id":42,"artists":43,"slug":59,"date":60,"description":61,"height":62,"image":29,"inPrivateCollection":63,"isLocationUnknown":63,"originalTitle":64,"popularity":65,"width":66,"wikipediaId":67,"collections":68,"genres":69,"museum":74,"movements":77,"mediums":82},"Birth Of Venus","ef407b4f-acb2-4961-a380-7e1d7371eb9d",[44],{"name":45,"id":46,"nationality":47,"slug":51,"biography":52,"born":53,"death":54,"image":55,"popularity":56,"sex":57,"wikipediaId":58},"Sandro Botticelli","038fd90f-5424-4a1d-ac4d-3351d075bbd0",{"id":48,"name":49,"slug":50},"b6bd06f3-e4d0-44e5-b3d4-dfdf235eec5d","Italian","italian","sandro-botticelli","Alessandro di Mariano di Vanni Filipepi (c. 1445 – May 17, 1510), better known as Sandro Botticelli (\u002Fˌbɒtɪˈtʃɛli\u002F BOT-ih-CHEL-ee; Italian: ) or simply Botticelli, was an Italian painter of the Early Renaissance. Botticelli's posthumous reputation suffered until the late 19th century, when he was rediscovered by the Pre-Raphaelites who stimulated a reappraisal of his work. Since then, his paintings have been seen to represent the linear grace of late Italian Gothic and some Early Renaissance painting, even though they date from the latter half of the Italian Renaissance period.\n\nIn addition to the mythological subjects for which he is best known today, Botticelli painted a wide range of religious subjects (including dozens of renditions of the Madonna and Child, many in the round tondo shape) and also some portraits. His best-known works are The Birth of Venus and Primavera, both in the Uffizi in Florence, which holds many of Botticelli's works. Botticelli lived all his life in the same neighbourhood of Florence; his only significant times elsewhere were the months he spent painting in Pisa in 1474 and the Sistine Chapel in Rome in 1481–82.\n\nOnly one of Botticelli's paintings, the Mystic Nativity (National Gallery, London) is inscribed with a date (1501), but others can be dated with varying degrees of certainty on the basis of archival records, so the development of his style can be traced with some confidence. He was an independent master for all the 1470s, which saw his reputation soar. The 1480s were his most successful decade, the one in which his large mythological paintings were completed along with many of his most famous Madonnas. By the 1490s, his style became more personal and to some extent mannered. His last works show him moving in a direction opposite to that of Leonardo da Vinci (seven years his junior) and the new generation of painters creating the High Renaissance style, and instead returning to a style that many have described as more Gothic or \"archaic\".","1445-03-01","1510-05-17","sandro-botticelli\u002Fsandro-botticelli",4,"MALE","Sandro_Botticelli","birth-of-venus","c. 1484–1486","The Birth of Venus (Italian: Nascita di Venere ) is a painting by the Italian artist Sandro Botticelli, probably executed in the mid-1480s. It depicts the goddess Venus arriving at the shore after her birth, when she had emerged from the sea fully-grown (called Venus Anadyomene and often depicted in art). The painting is in the Uffizi Gallery in Florence, Italy.\n\nAlthough the two are not a pair, the painting is inevitably discussed with Botticelli's other very large mythological painting, the Primavera, also in the Uffizi. They are among the most famous paintings in the world, and icons of Italian Renaissance painting; of the two, the Birth is better known than the Primavera. As depictions of subjects from classical mythology on a very large scale they were virtually unprecedented in Western art since classical antiquity, as was the size and prominence of a nude female figure in the Birth. It used to be thought that they were both commissioned by the same member of the Medici family, but this is now uncertain.\n\nThey have been endlessly analysed by art historians, with the main themes being: the emulation of ancient painters and the context of wedding celebrations (generally agreed), the influence of Renaissance Neo-Platonism (somewhat controversial), and the identity of the commissioners (not agreed). Most art historians agree, however, that the Birth does not require complex analysis to decode its meaning, in the way that the Primavera probably does. While there are subtleties in the painting, its main meaning is a straightforward, if individual, treatment of a traditional scene from Greek mythology, and its appeal is sensory and very accessible, hence its enormous popularity.",172.5,false,"Nascita di Venere (Italian)",3,278.9,"The_Birth_of_Venus",[],[70],{"name":71,"id":72,"slug":73},"Mythology","3a4e83ec-0f3f-4f44-9f84-94e21ad1abb0","mythology",{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":75,"slug":19,"description":20,"background":21,"logo":22,"phone":23,"popularity":24,"schedules":25,"website":26,"wikipediaId":27},{"latitude":5,"longitude":6,"name":11,"id":12,"country":76,"slug":17,"image":18},{"id":14,"name":15,"slug":16},[78],{"name":79,"id":80,"slug":81,"dates":18},"Early Renaissance","9e8d6a76-6b18-4d2c-82fe-97d6f3639353","early-renaissance",[83],{"name":84,"id":85,"slug":86},"Tempera","e39510ac-64d0-47d2-8a73-ad279a768ec2","tempera",{"title":88,"id":89,"artists":90,"slug":102,"date":103,"description":104,"height":105,"image":30,"inPrivateCollection":63,"isLocationUnknown":63,"originalTitle":106,"popularity":107,"width":108,"wikipediaId":109,"collections":110,"genres":111,"museum":116,"movements":119,"mediums":132},"Annunciation","315bed1b-b28b-4517-ac00-90c5649dc038",[91],{"name":92,"id":93,"nationality":94,"slug":95,"biography":96,"born":97,"death":98,"image":99,"popularity":100,"sex":57,"wikipediaId":101},"Leonardo da Vinci","73481ec6-d6be-4779-92dc-f44dbf7796a1",{"id":48,"name":49,"slug":50},"leonardo-da-vinci","Leonardo da Vinci (1452–1519) was an Italian polymath whose brilliance spanned art, science, engineering, anatomy, architecture, and invention. Born on April 15, 1452, in the Tuscan town of Vinci, he was the illegitimate son of Ser Piero da Vinci, a notary, and Caterina, a peasant woman. Despite his informal status, Leonardo received a solid artistic and technical education after being apprenticed at around age 14 to Andrea del Verrocchio in Florence. Under Verrocchio, he learned painting, sculpture, mechanics, metalworking, and drafting, skills that laid the foundation for his multidisciplinary achievements.\n\nLeonardo’s early works already showed exceptional observational ability and mastery of technique. His “Annunciation” and contribution to Verrocchio’s “Baptism of Christ” highlighted his innovative use of light, shadow, and naturalism. By the 1480s, Leonardo accepted a position in Milan under Duke Ludovico Sforza. There he produced some of his most celebrated works, including “The Last Supper,” a mural that revolutionized narrative composition and emotional expression. During his Milanese years, Leonardo also designed military machines, hydraulic systems, architectural projects, and theatrical devices.\n\nHis notebooks reveal a mind constantly exploring the mechanics of nature. He dissected human and animal bodies to understand anatomy with unprecedented accuracy, producing studies of muscles, organs, and embryonic development. He investigated optics, flight, geology, and the movement of water. Though many of his engineering designs—such as flying machines, armored vehicles, and automated mechanisms—were never built during his lifetime, they demonstrated astonishing foresight and mechanical ingenuity.\n\nAfter Milan fell to invading forces in 1499, Leonardo traveled through Italy, working in Mantua, Venice, and Florence. During this period he began the “Mona Lisa,” perhaps the most famous painting in the world, noted for its subtle modeling, enigmatic expression, and pioneering technique of soft transitions known as sfumato. He also produced significant scientific texts and anatomical drawings, including studies of the human skull and cardiovascular system.\n\nLeonardo returned to Milan in 1506, working under French rule and continuing both artistic and scientific pursuits. In his later years, invited by King Francis I of France, he moved to the Château du Clos Lucé near Amboise. There he served as “Premier Painter and Engineer” to the king, focusing more on engineering, architecture, and scientific study than painting.\n\nLeonardo died on May 2, 1519, leaving behind thousands of pages of sketches and notes. Although only a relatively small number of his paintings survive, his legacy is immense. His ability to fuse art and science, his method of direct observation, and his visionary imagination have made him an enduring symbol of the Renaissance ideal of the universal genius.","1452-04-14","1519-05-02","leonardo-da-vinci\u002Fleonardo-da-vinci",1,"Leonardo_da_Vinci","annunciation","c.  1472–1476","The Annunciation is a painting by the Italian Renaissance artist Leonardo da Vinci, dated to c. 1472–1476. Leonardo's earliest extant major work, it was completed in Florence while he was an apprentice in the studio of Andrea del Verrocchio. The painting was made using oil and tempera on a large poplar panel and depicts the Annunciation, a popular biblical subject in 15th-century Florence. Since 1867 it has been housed in the Uffizi in Florence, the city where it was created. Though the work has been criticized for inaccuracies in its composition, it is among the best-known portrayals of the Annunciation in Christian art.",98,"Annunciazione (Italian)",40,217,"Annunciation_(Leonardo)",[],[112],{"name":113,"id":114,"slug":115},"Christian Art","4de47523-b108-4653-9de4-31aebbb8634c","christian-art",{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":117,"slug":19,"description":20,"background":21,"logo":22,"phone":23,"popularity":24,"schedules":25,"website":26,"wikipediaId":27},{"latitude":5,"longitude":6,"name":11,"id":12,"country":118,"slug":17,"image":18},{"id":14,"name":15,"slug":16},[120,124,128],{"name":121,"id":122,"slug":123,"dates":18},"Renaissance","24126a7a-8a45-44f0-9585-e8378dd206e2","renaissance",{"name":125,"id":126,"slug":127,"dates":18},"High Renaissance","675dcdea-1b39-405b-b0b0-f29a287e4a90","high-renaissance",{"name":129,"id":130,"slug":131,"dates":18},"Italian Renaissance","8f9f464c-8fd7-47d8-8125-94e431bcf539","italian-renaissance",[133,137],{"name":134,"id":135,"slug":136},"Oil on poplar panel","e1c28c45-2750-4571-90ab-8140f8984d7c","oil-on-poplar-panel",{"name":84,"id":85,"slug":86},{"title":139,"id":140,"artists":141,"slug":152,"date":153,"description":154,"height":155,"image":31,"inPrivateCollection":63,"isLocationUnknown":63,"originalTitle":156,"popularity":157,"width":158,"wikipediaId":159,"collections":160,"genres":161,"museum":167,"movements":170,"mediums":175},"Medusa","054c92e2-1479-4dde-9242-3fa19799bf35",[142],{"name":143,"id":144,"nationality":145,"slug":146,"biography":147,"born":148,"death":149,"image":150,"popularity":151,"sex":57,"wikipediaId":143},"Caravaggio","6bd08ac0-98da-470e-9119-a0b28a238633",{"id":48,"name":49,"slug":50},"caravaggio","Michelangelo Merisi da Caravaggio (also Michele Angelo Merigi or Amerighi da Caravaggio; 29 September 1571 – 18 July 1610), known mononymously as Caravaggio, was an Italian painter active in Rome for most of his artistic life. During the final four years of his life, he moved between Naples, Malta, and Sicily. His paintings have been characterized by art critics as combining a realistic observation of the human state, both physical and emotional, with a dramatic use of lighting, which had a formative influence on Baroque painting.\n\nCaravaggio employed close physical observation with a dramatic use of chiaroscuro that came to be known as tenebrism. He made the technique a dominant stylistic element, transfixing subjects in bright shafts of light and darkening shadows. Caravaggio vividly expressed crucial moments and scenes, often featuring violent struggles, torture, and death. He worked rapidly with live models, preferring to forgo drawings and work directly onto the canvas. His inspiring effect on the new Baroque style that emerged from Mannerism was profound. His influence can be seen directly or indirectly in the work of Peter Paul Rubens, Jusepe de Ribera, Gian Lorenzo Bernini, Velázquez and Rembrandt. Artists heavily under his influence were called the \"Caravaggisti\" (or \"Caravagesques\"), as well as tenebrists or tenebrosi (\"shadowists\").\n\nCaravaggio trained as a painter in Milan before moving to Rome when he was in his twenties. He developed a considerable name as an artist and as a violent, touchy and provocative man. He killed Ranuccio Tommasoni in a brawl, which led to a death sentence for murder and forced him to flee to Naples. There he again established himself as one of the most prominent Italian painters of his generation. He travelled to Malta and on to Sicily in 1607 and pursued a papal pardon for his sentence. In 1609, he returned to Naples, where he was involved in a violent clash; his face was disfigured, and rumours of his death circulated. Questions about his mental state arose from his erratic and bizarre behavior. He died in 1610 under uncertain circumstances while on his way from Naples to Rome. Reports stated that he died of a fever, but suggestions have been made that he was murdered or that he died of lead poisoning.\n\nCaravaggio's innovations inspired Baroque painting, but the latter incorporated the drama of his chiaroscuro without the psychological realism. The style evolved and fashions changed, and Caravaggio fell out of favour. In the 20th century, interest in his work revived, and his importance to the development of Western art was reevaluated. The 20th-century art historian André Berne-Joffroy stated: \"What begins in the work of Caravaggio is, quite simply, modern painting.\"","1571-09-29","1610-07-18","caravaggio\u002Fcaravaggio",20,"medusa","1597-1598","Two versions of Medusa were created by the Italian Baroque painter Michelangelo Merisi da Caravaggio, one in 1596 and the other in ca. 1597. Both depict the moment from Greek mythology in which the Gorgon Medusa is killed by the demigod Perseus, but the Medusas are also self-portraits. Due to its bizarre and intricate design, the painting is said to display Caravaggio's unique fascination with violence and realism. The Medusa was commissioned by the Italian diplomat Francesco Maria del Monte, who planned to gift the commemorative shield to Ferdinando I de' Medici and have it placed in the Medici collection. It is now located in the Uffizi Museum in Florence without signature.",60,"Scudo con testa di Medusa (Italian)",43,55,"Medusa_(Caravaggio)",[],[162,163],{"name":71,"id":72,"slug":73},{"name":164,"id":165,"slug":166},"Portrait","5e6f789a-abcd-4ef0-1234-567890abcdef","portrait",{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":168,"slug":19,"description":20,"background":21,"logo":22,"phone":23,"popularity":24,"schedules":25,"website":26,"wikipediaId":27},{"latitude":5,"longitude":6,"name":11,"id":12,"country":169,"slug":17,"image":18},{"id":14,"name":15,"slug":16},[171],{"name":172,"id":173,"slug":174,"dates":18},"Baroque","645c114f-78c5-4b27-98f2-fc83d056fc37","baroque",[176],{"name":177,"id":178,"slug":179},"Oil on canvas mounted on wood","488ad56d-2d0e-41ef-98ab-84a99cb1d15d","oil-on-canvas-mounted-on-wood",{"title":181,"id":182,"artists":183,"slug":194,"date":195,"description":196,"height":197,"image":32,"inPrivateCollection":63,"isLocationUnknown":63,"originalTitle":198,"popularity":199,"width":200,"wikipediaId":201,"collections":202,"genres":203,"museum":208,"movements":211,"mediums":215},"Venus of Urbino","75d5dacd-84aa-4190-b266-6c208e433e87",[184],{"name":185,"id":186,"nationality":187,"slug":188,"biography":189,"born":190,"death":191,"image":192,"popularity":193,"sex":57,"wikipediaId":185},"Titian","7f73de78-2c2a-4044-b3b1-7ec421e220d3",{"id":48,"name":49,"slug":50},"titian","Tiziano Vecellio (Italian: ; c. 1488\u002F1490 – 27 August 1576), Latinized as Titianus, hence known in English as Titian (\u002Fˈtɪʃən\u002F ⓘ TISH-ən), was an Italian Renaissance painter. The most important artist of Renaissance Venetian painting, he was born in Pieve di Cadore, near Belluno.\n\nTitian was one of the most versatile of Italian painters, equally adept with portraits, landscape backgrounds, and mythological and religious subjects. His painting methods, particularly in the application and use of colour, exerted a profound influence not only on painters of the late Italian Renaissance, but on future generations of Western artists.\n\nHis career was successful from the start, and he became sought after by patrons, initially from Venice and its possessions, then joined by the north Italian princes, and finally the Habsburgs and the papacy. Along with Giorgione, he is considered a founder of the Venetian school of Italian Renaissance painting. In 1590, the painter and art theorist Giovanni Paolo Lomazzo described Titian as \"the sun amidst small stars not only among the Italians but all the painters of the world\".\n\nDuring his long life, Titian's artistic manner changed drastically, but he retained a lifelong interest in colour. Although his mature works may not contain the vivid, luminous tints of his early pieces, they are remarkable and original in their loose brushwork and subtlety of tone.","c. 1488 - 1490","1576-08-25","titian\u002Ftitian",22,"venus-of-urbino","1534","The Venus of Urbino (also known as Reclining Venus) is an oil painting by Italian painter Titian, depicting a nude young woman, traditionally identified with the goddess Venus, reclining on a couch or bed in the sumptuous surroundings of a Renaissance palace. Work on the painting seems to have begun anywhere from 1532 or 1534, and was perhaps completed in 1534, but not sold until 1538. It is currently held in the Galleria degli Uffizi in Florence.\n\nThe figure’s pose derives from the Dresden Venus made around 1510–11, traditionally attributed to Giorgione but with the landscape completed by Titian. In this painting, Titian places Venus indoors, meets the viewer’s gaze, and makes her sensuality explicit. Iconographic interpretations of the painting among art historians fall into two groups; both agree that the painting has a powerful erotic charge, but beyond that, it is seen either as a portrait of a courtesan, perhaps Zaffetta, or as a painting celebrating the marriage of its first owner (who according to some may not have commissioned it).\n\nThis disagreement forms part of a wider debate on the meaning of the mainly Venetian tradition of the reclining female nude, which Titian had created, or helped to create. The woman's intimate gesture has been interpreted by some scholars to represent masturbation, an act linked to Renaissance marriage customs, where female arousal—including self-stimulation—was believed to aid conception and ensure successful consummation.\n\nFor Charles Hope, \"It has yet to be shown that the most famous example of this genre, Titian's Venus of Urbino, is anything other than a representation of a beautiful nude woman on a bed, devoid of classical or even allegorical content\". Even the indefatigable finder of allegories drawing on Renaissance Neoplatonism, Edgar Wind, had to admit that in this case \"an undisguised hedonism had at last dispelled the Platonic metaphors\".",119,"Venere di Urbino (Italian)",44,165,"Venus_of_Urbino",[],[204],{"name":205,"id":206,"slug":207},"Figure painting","8b9c0def-0123-4567-89ab-cdef12345678","figure-painting",{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":209,"slug":19,"description":20,"background":21,"logo":22,"phone":23,"popularity":24,"schedules":25,"website":26,"wikipediaId":27},{"latitude":5,"longitude":6,"name":11,"id":12,"country":210,"slug":17,"image":18},{"id":14,"name":15,"slug":16},[212,213,214],{"name":121,"id":122,"slug":123,"dates":18},{"name":125,"id":126,"slug":127,"dates":18},{"name":129,"id":130,"slug":131,"dates":18},[216],{"name":217,"id":218,"slug":219},"Oil on canvas","f74fc1b0-2804-4c39-a52c-84cad71698d7","oil-on-canvas",{"title":221,"id":222,"artists":223,"slug":226,"date":227,"description":228,"height":229,"image":33,"inPrivateCollection":63,"isLocationUnknown":63,"originalTitle":230,"popularity":231,"width":232,"wikipediaId":233,"collections":234,"genres":235,"museum":238,"movements":241,"mediums":244},"Primavera","e506cd51-6e01-45f2-b15b-0b1fcc5bfdac",[224],{"name":45,"id":46,"nationality":225,"slug":51,"biography":52,"born":53,"death":54,"image":55,"popularity":56,"sex":57,"wikipediaId":58},{"id":48,"name":49,"slug":50},"primavera","Late 1470s or early 1480s","Primavera (Italian pronunciation: , meaning \"Spring\") is a large panel painting in tempera paint by the Italian Renaissance painter Sandro Botticelli made in the late 1470s or early 1480s (datings vary). It has been described as \"one of the most written about, and most controversial paintings in the world\", and also \"one of the most popular paintings in Western art\".\n\nThe painting depicts a group of figures from classical mythology in a garden, but no story has been found that brings this particular group together. Most critics agree that the painting is an allegory based on the lush growth of Spring, but accounts of any precise meaning vary, though many involve the Renaissance Neoplatonism which then fascinated intellectual circles in Florence. The subject was first described as Primavera by the art historian Giorgio Vasari who saw it at Villa Castello, just outside Florence, by 1550.\n\nAlthough the two are now known not to be a pair, the painting is inevitably discussed with Botticelli's other very large mythological painting, The Birth of Venus, also in the Uffizi. They are among the most famous paintings in the world, and icons of the Italian Renaissance; of the two, the Birth is even better known than the Primavera. As depictions of subjects from classical mythology on a very large scale, they were virtually unprecedented in Western art since classical antiquity.\n\nThe history of the painting is not certainly known; it may have been commissioned by one of the Medici family, but the certainty of its commission is unknown. It draws from a number of classical and Renaissance literary sources, including the works of the Ancient Roman poet Ovid and, less certainly, Lucretius, and may also allude to a poem by Poliziano, the Medici house poet who may have helped Botticelli devise the composition. Since 1919 the painting has been part of the collection of the Uffizi Gallery in Florence, Italy.",202,"Primavera (Italian)",53,314,"Primavera_(Botticelli)",[],[236,237],{"name":71,"id":72,"slug":73},{"name":205,"id":206,"slug":207},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":239,"slug":19,"description":20,"background":21,"logo":22,"phone":23,"popularity":24,"schedules":25,"website":26,"wikipediaId":27},{"latitude":5,"longitude":6,"name":11,"id":12,"country":240,"slug":17,"image":18},{"id":14,"name":15,"slug":16},[242,243],{"name":129,"id":130,"slug":131,"dates":18},{"name":79,"id":80,"slug":81,"dates":18},[245],{"name":246,"id":247,"slug":248},"Tempera on panel","81e0d90c-9831-47ad-b60d-6d124342d17f","tempera-on-panel",{"title":250,"id":251,"artists":252,"slug":262,"date":263,"description":264,"height":265,"image":34,"inPrivateCollection":63,"isLocationUnknown":63,"originalTitle":266,"popularity":158,"width":265,"wikipediaId":267,"collections":268,"genres":269,"museum":271,"movements":274,"mediums":277},"Doni Tondo","69048dd4-a882-41b4-996d-d90fb4b3e111",[253],{"name":254,"id":255,"nationality":256,"slug":257,"biography":258,"born":259,"death":260,"image":261,"popularity":65,"sex":57,"wikipediaId":254},"Michelangelo","8dd65ab8-6316-4fe0-ad5c-6b314e6661ca",{"id":48,"name":49,"slug":50},"michelangelo","Michelangelo di Lodovico Buonarroti Simoni (6 March 1475 – 18 February 1564), known mononymously as Michelangelo, was an Italian sculptor, painter, architect, and poet of the High Renaissance. He was born in the Republic of Florence but was mostly active in Rome from his 30s onwards. His work was inspired by models from classical antiquity and had a lasting influence on Western art. Michelangelo's creative abilities and mastery in a range of artistic arenas define him as an archetypal Renaissance man, along with his rival and elder contemporary, Leonardo da Vinci. Given the sheer volume of surviving correspondence, sketches, and reminiscences, Michelangelo is one of the best-documented artists of the 16th century. He was lauded by contemporary biographers as the most accomplished artist of his era.\n\nMichelangelo achieved fame early. Two of his best-known works, the Pietà and David, were sculpted before the age of 30. Although he did not consider himself a painter, Michelangelo created two of the most influential frescoes in the history of Western art: the scenes from Genesis on the ceiling of the Sistine Chapel in Rome, and The Last Judgment on its altar wall. His design of the Laurentian Library pioneered Mannerist architecture. At the age of 71, he succeeded Antonio da Sangallo the Younger as the architect of St. Peter's Basilica. Michelangelo transformed the plan so that the Western end was finished to his design, as was the dome, with some modification, after his death.\n\nMichelangelo was the first Western artist whose biography was published while he was alive. Three biographies were published during his lifetime. One of them, by Giorgio Vasari, proposed that Michelangelo's work transcended that of any artist living or dead, and was \"supreme in not one art alone but in all three\".\n\nIn his lifetime, Michelangelo was often called Il Divino (\"the divine one\"). His contemporaries admired his terribilità—his ability to instill a sense of awe in viewers of his art. Attempts by subsequent artists to imitate the expressive physicality of Michelangelo's style contributed to the rise of Mannerism, a short-lived movement in Western art between the High Renaissance and the Baroque.","1475-03-06","1564-02-18","michelangelo\u002Fmichelangelo","doni-tondo","c. 1507","The Doni Tondo or Doni Madonna is the only finished panel painting by the mature Michelangelo to survive. Now in the Uffizi in Florence, Italy, and still in its original frame, the Doni Tondo commissioned by Agnolo Doni, probably to commemorate his marriage to Maddalena Strozzi, the daughter of a powerful Tuscan family. The painting is in the form of a tondo, meaning in Italian 'round', a shape which is frequently associated during the Renaissance with domestic ideas.\n\nThe Doni Tondo portrays the Holy Family (the child Jesus, Mary, and Joseph) in the foreground, along with John the Baptist in the middle-ground, and contains five nude male figures in the background. The inclusion of these nude figures has been interpreted in a variety of ways.",120,"Doni Tondo \u002F Doni Madonna (Italian)","Doni_Tondo",[],[270],{"name":113,"id":114,"slug":115},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":272,"slug":19,"description":20,"background":21,"logo":22,"phone":23,"popularity":24,"schedules":25,"website":26,"wikipediaId":27},{"latitude":5,"longitude":6,"name":11,"id":12,"country":273,"slug":17,"image":18},{"id":14,"name":15,"slug":16},[275,276],{"name":125,"id":126,"slug":127,"dates":18},{"name":129,"id":130,"slug":131,"dates":18},[278,279],{"name":246,"id":247,"slug":248},{"name":280,"id":281,"slug":282},"Oil on panel","add2c9be-2409-4d33-a0f0-f1458756d373","oil-on-panel",{"title":284,"id":285,"artists":286,"slug":289,"date":290,"description":291,"height":292,"image":35,"inPrivateCollection":63,"isLocationUnknown":63,"originalTitle":293,"popularity":294,"width":295,"wikipediaId":296,"collections":297,"genres":298,"museum":301,"movements":304,"mediums":310},"Bacchus","a0899260-2461-4469-b875-6c5ed8c539db",[287],{"name":143,"id":144,"nationality":288,"slug":146,"biography":147,"born":148,"death":149,"image":150,"popularity":151,"sex":57,"wikipediaId":143},{"id":48,"name":49,"slug":50},"bacchus","c. 1596","Bacchus (c. 1596) is an oil painting by Italian Baroque master Michelangelo Merisi da Caravaggio (1571–1610) commissioned by Cardinal Francesco Maria del Monte. The painting shows a youthful Bacchus reclining in classical fashion with grapes and vine leaves in his hair, fingering the drawstring of his loosely draped robe. On a stone table in front of him is a bowl of fruit and a large carafe of red wine. He holds out a shallow goblet of the same wine, inviting the viewer to join him. The painting is currently held in the Uffizi Gallery in Florence.",95,"Bacco (Italian)",74,85,"Bacchus_(Caravaggio)",[],[299,300],{"name":71,"id":72,"slug":73},{"name":164,"id":165,"slug":166},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":302,"slug":19,"description":20,"background":21,"logo":22,"phone":23,"popularity":24,"schedules":25,"website":26,"wikipediaId":27},{"latitude":5,"longitude":6,"name":11,"id":12,"country":303,"slug":17,"image":18},{"id":14,"name":15,"slug":16},[305,306],{"name":172,"id":173,"slug":174,"dates":18},{"name":307,"id":308,"slug":309,"dates":18},"Mannerism","a2e9a5d9-ac88-4d78-a441-951345eaed58","mannerism",[311],{"name":217,"id":218,"slug":219},{"title":313,"id":314,"artists":315,"slug":318,"date":319,"description":320,"height":321,"image":36,"inPrivateCollection":63,"isLocationUnknown":63,"originalTitle":322,"popularity":323,"width":324,"wikipediaId":325,"collections":326,"genres":327,"museum":329,"movements":332,"mediums":334},"The Baptism of Christ","223ae9ed-fd09-4e8b-9256-d6550d634c53",[316],{"name":92,"id":93,"nationality":317,"slug":95,"biography":96,"born":97,"death":98,"image":99,"popularity":100,"sex":57,"wikipediaId":101},{"id":48,"name":49,"slug":50},"the-baptism-of-christ","1472–1475","The Baptism of Christ is an oil-on-panel painting finished around 1475 in the studio of the Italian Renaissance painter Andrea del Verrocchio and generally ascribed to him and his pupil Leonardo da Vinci. Some art historians discern the hands of other members of Verrocchio's workshop in the painting as well.\n\nThe picture depicts the Baptism of Jesus by John the Baptist as recorded in the Biblical Gospels of Matthew, Mark and Luke. The angel to the left is recorded as having been painted by the youthful Leonardo, a fact which has excited so much special comment and mythology, that the importance and value of the picture as a whole and within the œuvre of Verrocchio is often overlooked. Modern critics also attribute much of the landscape in the background to Leonardo as well. The painting is housed in the Uffizi Gallery in Florence.",177,"Battesimo di Cristo (Italian)",114,151,"The_Baptism_of_Christ_(Verrocchio_and_Leonardo)",[],[328],{"name":113,"id":114,"slug":115},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":330,"slug":19,"description":20,"background":21,"logo":22,"phone":23,"popularity":24,"schedules":25,"website":26,"wikipediaId":27},{"latitude":5,"longitude":6,"name":11,"id":12,"country":331,"slug":17,"image":18},{"id":14,"name":15,"slug":16},[333],{"name":129,"id":130,"slug":131,"dates":18},[335],{"name":336,"id":337,"slug":338},"Oil on wood","e860a6c9-811f-464e-b7d6-ba7b5a869cd5","oil-on-wood",8,0,30]