[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"museum-tate-britain":3,"museum-nearby-tate-britain":31,"museum-paintings-tate-britain":102},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":10,"slug":21,"description":22,"background":23,"logo":24,"phone":25,"popularity":26,"schedules":20,"website":27,"wikipediaId":28,"popularPaintingImages":29},"Millbank",51.491,-0.128,"Tate Britain","SW1P 4RG","df6ce729-27bf-49ec-be89-2f6bd49f1368",{"latitude":11,"longitude":12,"name":13,"id":14,"country":15,"slug":19,"image":20},51.5074,-0.1278,"London","c51ce410-c124-4b5c-8a49-e62a40f27f65",{"id":16,"name":17,"slug":18},"2a0588c6-6b3b-49ed-9ced-8fc2a59be12a","England","england","london","","tate-britain","Tate Britain, known from 1897 to 1932 as the National Gallery of British Art and from 1932 to 2000 as the Tate Gallery, is an art museum on Millbank in the City of Westminster in London, England. It is part of the Tate network of galleries in England, with Tate Modern, Tate Liverpool and Tate St Ives. Founded by Sir Henry Tate, it houses a substantial collection of the art of the United Kingdom since Tudor times, and in particular has large holdings of the works of J. M. W. Turner, who bequeathed all his own collection to the nation. It is one of the largest museums in the country. In 2021 it ranked 50th on the list of most-visited art museums in the world.","tate-britain\u002Fbackground\u002Ftate-britain_background","tate-britain\u002Flogo\u002Ftate-britain_logo","+44 20 7887 8888",30,"https:\u002F\u002Fwww.tate.org.uk\u002F","Tate_Britain",[30],"john-everett-millais\u002Fophelia\u002Fophelia",[32,50,68,85],{"address":33,"latitude":34,"longitude":35,"name":36,"zipCode":37,"id":38,"city":39,"slug":41,"description":42,"background":43,"logo":44,"phone":45,"popularity":46,"schedules":47,"website":48,"wikipediaId":49},"Trafalgar Square",51.5089,-0.1283,"National Gallery","WC2N 5DN","afe25254-17b0-42d7-a6c9-0cbbdb7d244a",{"latitude":11,"longitude":12,"name":13,"id":14,"country":40,"slug":19,"image":20},{"id":16,"name":17,"slug":18},"national-gallery","The National Gallery is an art museum in Trafalgar Square in the City of Westminster, in Central London, England. Founded in 1824, it houses a collection of more than 2,300 paintings dating from the mid-13th century to 1900. The current director of the National Gallery is Gabriele Finaldi.\n\nThe National Gallery is an exempt charity, and a non-departmental public body of the Department for Culture, Media and Sport. Its collection belongs to the government on behalf of the British public, and entry to the main collection is free of charge.\n\nUnlike comparable museums in continental Europe, the National Gallery was not formed by nationalising an existing royal or princely art collection. It came into being when the British government bought 38 paintings from the heirs of John Julius Angerstein in 1824. After that initial purchase, the gallery was shaped mainly by its early directors, especially Charles Lock Eastlake, and by private donations, which now account for two-thirds of the collection. The collection is smaller than many European national galleries, but encyclopaedic in scope; most major developments in Western painting \"from Giotto to Cézanne\" are represented with important works. It used to be claimed that this was one of the few national galleries that had all its works on permanent exhibition, but this is no longer the case.\n\nThe present building, the third site to house the National Gallery, was designed by William Wilkins. Building began in 1832 and it opened to the public in 1838. Only the façade onto Trafalgar Square remains essentially unchanged from this time, as the building has been expanded piecemeal throughout its history. Wilkins's building was often criticised for the perceived weaknesses of its design and for its lack of space; the latter problem led to the establishment of the Tate Gallery for British art in 1897. The Sainsbury Wing, a 1991 extension to the west by Robert Venturi and Denise Scott Brown, is a significant example of Postmodernist architecture in Britain.","national-gallery\u002Fbackground\u002Fnational-gallery_background","national-gallery\u002Flogo\u002Fnational-gallery_logo","+44 20 7747 2885",3,"Daily: 10:00 AM - 06:00 PM\nFriday: open until 09:00 PM\n1 January - 24, 25 and 26 December: closed","https:\u002F\u002Fwww.nationalgallery.org.uk","National_Gallery",{"address":51,"latitude":52,"longitude":53,"name":54,"zipCode":55,"id":56,"city":57,"slug":59,"description":60,"background":61,"logo":62,"phone":63,"popularity":64,"schedules":65,"website":66,"wikipediaId":67},"Great Russell St",51.5194,-0.127,"The British Museum","WC1B 3DG","08f35bd0-ecf4-4e96-bb4a-f97d88c9635f",{"latitude":11,"longitude":12,"name":13,"id":14,"country":58,"slug":19,"image":20},{"id":16,"name":17,"slug":18},"the-british-museum","The British Museum is a public museum dedicated to human history, art and culture located in the Bloomsbury area of London. Its permanent collection of eight million works is the largest in the world. It documents the story of human culture from its beginnings to the present. Established in 1753, the British Museum was the first public national museum. In 2023, the museum received 5,820,860 visitors. At least one group rated it the most popular attraction in the United Kingdom.\n\nAt its beginning, the museum was largely based on the collections of the Anglo-Irish physician and scientist Sir Hans Sloane. It opened to the public in 1759, in Montagu House, on the site of the current building. The museum's expansion over the following 250 years was largely a result of British colonisation and resulted in the creation of several branch institutions, or independent spin-offs, the first being the Natural History Museum in 1881. Some of its best-known acquisitions, such as the Greek Elgin Marbles and the Egyptian Rosetta Stone, are subject to long-term disputes and repatriation claims.\n\nIn 1973, the British Library Act 1972 detached the library department from the British Museum, but it continued to host the now separated British Library in the same Reading Room and building as the museum until 1997. The museum is a non-departmental public body sponsored by the Department for Culture, Media and Sport. Like all UK national museums, it charges no admission fee except for loan exhibitions.","the-british-museum\u002Fbackground\u002Fthe-british-museum_background","the-british-museum\u002Flogo\u002Fthe-british-museum_logo","+44 (0)20 7323 8000",12,"Daily: 10:00 AM – 5:00 PM\nFriday: open until 8:30 PM\n24, 25 and 26 December: closed","https:\u002F\u002Fwww.britishmuseum.org","British_Museum",{"address":69,"latitude":70,"longitude":71,"name":72,"zipCode":73,"id":74,"city":75,"slug":77,"description":78,"background":79,"logo":80,"phone":81,"popularity":82,"schedules":20,"website":83,"wikipediaId":84},"Vernon Square, Penton Rise",51.5301,-0.1149,"Courtauld Institute of Art","WC1X 9EW","d2a17541-5221-4575-8a25-112435e885b2",{"latitude":11,"longitude":12,"name":13,"id":14,"country":76,"slug":19,"image":20},{"id":16,"name":17,"slug":18},"courtauld-institute-of-art","The Courtauld Institute of Art (\u002Fˈkɔːrtəʊld\u002F) is a self-governing college of the University of London specialising in the study of the history of art and conservation.\n\nThe art collection is known particularly for its French Impressionist and Post-Impressionist paintings and is housed in the Courtauld Gallery. The Courtauld is based in Somerset House, in the Strand in London. In 2019, the Courtauld's teaching and research activities temporarily relocated to Vernon Square, London, while its Somerset House site underwent a major regeneration project.","courtauld-institute-of-art\u002Fbackground\u002Fcourtauld-institute-of-art_background","courtauld-institute-of-art\u002Flogo\u002Fcourtauld-institute-of-art_logo","+44 20 3947 7711",23,"https:\u002F\u002Fcourtauld.ac.uk\u002F","Courtauld_Institute_of_Art",{"address":86,"latitude":87,"longitude":88,"name":89,"zipCode":90,"id":91,"city":92,"slug":94,"description":95,"background":96,"logo":97,"phone":98,"popularity":99,"schedules":20,"website":100,"wikipediaId":101},"Hertford House, Manchester Square",51.5173,-0.1529,"The Wallace Collection","W1U 3BN","ee39ba8b-58be-4dcc-8016-4b467baff790",{"latitude":11,"longitude":12,"name":13,"id":14,"country":93,"slug":19,"image":20},{"id":16,"name":17,"slug":18},"the-wallace-collection","The Wallace Collection is a museum in London occupying Hertford House in Manchester Square, the former townhouse of the Seymour family, Marquesses of Hertford. It is named after Sir Richard Wallace, who built the extensive collection, along with the Marquesses of Hertford, in the 18th and 19th centuries. The collection features fine and decorative arts from the 15th to the 19th centuries with important holdings of French 18th-century paintings, furniture, arms and armour, porcelain and Old Master paintings arranged into 25 galleries. It is open to the public and entry is free.\n\nIt was established in 1897 from the private collection mainly created by Richard Seymour-Conway, 4th Marquess of Hertford (1800–1870), who left both it and the house to his illegitimate son Sir Richard Wallace (1818–1890), whose widow Julie Amelie Charlotte Castelnau bequeathed the entire collection to the nation. The collection opened to permanent public view in 1900 in Hertford House, and remains there to this day. A condition of the bequest was that no object should ever leave the collection, even for loan exhibitions. However in September 2019, the board of trustees announced that they had obtained an order from the Charity Commission for England & Wales which allowed them to enter into temporary loan agreements for the first time.\n\nThe United Kingdom is particularly rich in the works of the ancien régime, purchased by wealthy families during the revolutionary sales, held in France after the end of the French Revolution. The Wallace Collection, Waddesdon Manor and the Royal Collection, all three located in the United Kingdom, are some of the largest, most important collections of French 18th-century decorative arts in the world, rivalled only by the Musée du Louvre, Château de Versailles and Mobilier National in France.","the-wallace-collection\u002Fbackground\u002Fthe-wallace-collection_background","the-wallace-collection\u002Flogo\u002Fthe-wallace-collection_logo","+44 20 7563 9500",25,"https:\u002F\u002Fwww.wallacecollection.org","Wallace_Collection",{"items":103,"total":150,"page":151,"pageSize":26,"totalPages":150},[104],{"title":105,"id":106,"artists":107,"slug":123,"date":124,"description":125,"height":126,"image":30,"inPrivateCollection":127,"isLocationUnknown":127,"originalTitle":20,"popularity":128,"width":129,"wikipediaId":130,"collections":131,"genres":132,"museum":137,"movements":140,"mediums":145},"Ophelia","aa1441a0-31b1-4357-8787-3bac56084168",[108],{"name":109,"id":110,"nationality":111,"slug":115,"biography":116,"born":117,"death":118,"image":119,"popularity":120,"sex":121,"wikipediaId":122},"John Everett Millais","f65d129c-3f4b-4b6d-ba00-ef625dc0f9fe",{"id":112,"name":113,"slug":114},"4f95e1f9-7996-4fe5-8182-7f7973ab50c9","English","english","john-everett-millais","Sir John Everett Millais, 1st Baronet PRA (UK: \u002Fˈmɪleɪ\u002F MIL-ay, US: \u002Fmɪˈleɪ\u002F mil-AY; 8 June 1829 – 13 August 1896) was an English painter and illustrator who was one of the founders of the Pre-Raphaelite Brotherhood. He was a child prodigy who, aged eleven, became the youngest student to enter the Royal Academy Schools. The Pre-Raphaelite Brotherhood was founded at his family home in London, at 83 Gower Street (now number 7). Millais became the most famous exponent of the style, his painting Christ in the House of His Parents (1849–50) generating considerable controversy, and he produced a picture that could serve as the embodiment of the historical and naturalist focus of the group, Ophelia, in 1851–1852.\n\nBy the mid-1850s, Millais was moving away from the Pre-Raphaelite style to develop a new form of realism in his art. His later works were enormously successful, making Millais one of the wealthiest artists of his day, but some former admirers including William Morris saw this as a sell-out (Millais notoriously allowed one of his paintings to be used for a sentimental soap advertisement). While these and early 20th-century critics, reading art through the lens of Modernism, viewed much of his later production as wanting, this perspective has changed in recent decades, as his later works have come to be seen in the context of wider changes and advanced tendencies in the broader late nineteenth-century art world, and can now be seen as predictive of the art world of the present.\n\nMillais's personal life has also played a significant role in his reputation. His wife Effie was formerly married to the critic John Ruskin, who had supported Millais's early work. The annulment of the Ruskin marriage and Effie's subsequent marriage to Millais have sometimes been linked to his change of style. She also became a powerful promoter of his work and they worked in concert to secure commissions and expand their social and intellectual circles.","1829-06-08","1896-08-13","john-everett-millais\u002Fjohn-everett-millais",34,"MALE","John_Everett_Millais","ophelia","1851–1852","Ophelia is an 1851–52 painting by British artist Sir John Everett Millais in the collection of Tate Britain, London. It depicts Ophelia, a character from William Shakespeare's play Hamlet, singing before she drowns in a river.\n\nThe work encountered a mixed response when first exhibited at the Royal Academy, but has since come to be admired as one of the most important works of the mid-nineteenth century for its beauty, its accurate depiction of a natural landscape, and its influence on artists from John William Waterhouse and Salvador Dalí to Peter Blake, Ed Ruscha and Friedrich Heyser.",76.2,false,62,111.8,"Ophelia_(painting)",[],[133],{"name":134,"id":135,"slug":136},"Figure painting","8b9c0def-0123-4567-89ab-cdef12345678","figure-painting",{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":138,"slug":21,"description":22,"background":23,"logo":24,"phone":25,"popularity":26,"schedules":20,"website":27,"wikipediaId":28},{"latitude":11,"longitude":12,"name":13,"id":14,"country":139,"slug":19,"image":20},{"id":16,"name":17,"slug":18},[141],{"name":142,"id":143,"slug":144,"dates":20},"Pre-Raphaelite Brotherhood","cf6019db-cfa4-4e93-80f5-cad70d4b9a48","pre-raphaelite-brotherhood",[146],{"name":147,"id":148,"slug":149},"Oil on canvas","f74fc1b0-2804-4c39-a52c-84cad71698d7","oil-on-canvas",1,0]