[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"museum-pinacoteca-di-brera":3,"museum-paintings-all-pinacoteca-di-brera":32},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":10,"slug":21,"description":22,"background":23,"logo":24,"phone":25,"popularity":26,"schedules":20,"website":27,"wikipediaId":28,"popularPaintingImages":29},"Via Brera, 28",45.4722,9.1884,"Pinacoteca di Brera","20121","c5503702-24d4-4798-ba95-9a7c4f9e7974",{"latitude":11,"longitude":12,"name":13,"id":14,"country":15,"slug":19,"image":20},45.4654,9.1859,"Milan","c69f1c78-d848-43ff-bd5e-72659479d845",{"id":16,"name":17,"slug":18},"1b8d9394-d613-47b2-8fab-248c12a7246d","Italy","italy","milan","","pinacoteca-di-brera","The Pinacoteca di Brera (\"Brera Art Gallery\") is the main public gallery for paintings in Milan, Italy. It contains one of the foremost collections of Italian paintings from the 13th to the 20th century, an outgrowth of the cultural program of the Brera Academy, which shares the site in the Palazzo Brera.","pinacoteca-di-brera\u002Fbackground\u002Fpinacoteca-di-brera_background","pinacoteca-di-brera\u002Flogo\u002Fpinacoteca-di-brera_logo","+39 02 72105 141",28,"https:\u002F\u002Fpinacotecabrera.org\u002Fen\u002F","Pinacoteca_di_Brera",[30,31],"francesco-hayez\u002Fthe-kiss-1\u002Fthe-kiss-1","raphael\u002Fthe-marriage-of-the-virgin\u002Fthe-marriage-of-the-virgin",{"items":33,"total":115,"page":116,"pageSize":117,"totalPages":118},[34,66],{"title":35,"id":36,"artists":37,"slug":38,"date":39,"description":40,"height":41,"image":30,"inPrivateCollection":42,"isLocationUnknown":42,"originalTitle":43,"popularity":44,"width":45,"wikipediaId":46,"collections":47,"genres":48,"museum":53,"movements":56,"mediums":61},"The Kiss","a0e358c6-e295-4b11-94a1-b9e3179eaab5",[],"the-kiss-1","1859","The Kiss (Italian: Il bacio ) is an 1859 painting by the Italian artist Francesco Hayez. Possibly his best-known work, the painting conveys the main features of Italian Romanticism and has come to represent the spirit of the Risorgimento. It was commissioned by Alfonso Maria Visconti di Saliceto, who donated it to the Pinacoteca di Brera after his death.\n\nAfter the defeat of Napoleonic France in the 19th century, the Congress of Vienna was held in 1815 to redraw the map of Europe. Italy had a very marginal role compared to other European countries and was slated to be divided into several states. Every state was ruled directly or strongly influenced by the Habsburgs of the Austrian Empire. That fragmentation went against the growing nationalist sentiment for Italian unification and caused the creation of secret societies with democratic and radical orientations, such as the Carboneria and Young Italy. Although those associations were unsuccessful, their role was fundamental in shaping public opinion.\n\nThe first war of Italian independence (1848) was a failure, but, by 1859, a secret agreement between Napoleon III and Camillo Benso, Count of Cavour, stipulated the formation of an anti-Austrian alliance. The contribution of France was considered crucial because the Austrian armies were defeated by the alliance in the Kingdom of Lombardy–Venetia in the empire. That victory initiated the unification process, and the Kingdom of Italy was proclaimed a few years later, in 1861.\n\nIt was during that period that Francesco Hayez painted The Kiss. Mindful of the bloody repression of the nationalist movement, Hayez decided to disguise the ideals of conspiracy and the struggle against the invaders by a representation of past events. The use of ambiguous, opaque metaphors allowed the artist to avoid censorship by the authorities.",110,false,"Il bacio (Italian)",59,88,"The_Kiss_(Hayez)",[],[49],{"name":50,"id":51,"slug":52},"Figure painting","8b9c0def-0123-4567-89ab-cdef12345678","figure-painting",{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":54,"slug":21,"description":22,"background":23,"logo":24,"phone":25,"popularity":26,"schedules":20,"website":27,"wikipediaId":28},{"latitude":11,"longitude":12,"name":13,"id":14,"country":55,"slug":19,"image":20},{"id":16,"name":17,"slug":18},[57],{"name":58,"id":59,"slug":60,"dates":20},"Romanticism","6d170858-dbc2-4658-9820-50889eb73ae6","romanticism",[62],{"name":63,"id":64,"slug":65},"Oil on canvas","f74fc1b0-2804-4c39-a52c-84cad71698d7","oil-on-canvas",{"title":67,"id":68,"artists":69,"slug":84,"date":85,"description":86,"height":87,"image":31,"inPrivateCollection":42,"isLocationUnknown":42,"originalTitle":88,"popularity":89,"width":90,"wikipediaId":91,"collections":92,"genres":93,"museum":98,"movements":101,"mediums":110},"The Marriage of the Virgin","bed9fb87-215d-4a91-b215-e6b0824c1cc2",[70],{"name":71,"id":72,"nationality":73,"slug":77,"biography":78,"born":79,"death":80,"image":81,"popularity":82,"sex":83,"wikipediaId":71},"Raphael","7f78c58d-9cc2-4f68-b094-8511effc4eec",{"id":74,"name":75,"slug":76},"b6bd06f3-e4d0-44e5-b3d4-dfdf235eec5d","Italian","italian","raphael","Raffaello Sanzio da Urbino (Italian: ; March 28 or April 6, 1483 – April 6, 1520), now generally known in English as Raphael (UK: \u002Fˈræfeɪ.əl\u002F RAF-ay-əl, US: \u002Fˈræfi.əl, ˈreɪfi-, ˌrɑːfaɪˈɛl\u002F RAF-ee-əl, RAY-fee-, RAH-fy-EL), was an Italian painter and architect of the High Renaissance. His work is admired for its clarity of form, ease of composition, and visual achievement of the Neoplatonic ideal of human grandeur. Together with Leonardo da Vinci and Michelangelo, he forms the traditional trinity of great masters of that period.\n\nHis father Giovanni Santi was court painter to the ruler of the small but highly cultured city of Urbino. He died when Raphael was eleven, and Raphael seems to have played a role in managing the family workshop from this point. He probably trained in the workshop of Pietro Perugino, and was described as a fully trained \"master\" by 1500. He worked in or for several cities in north Italy until in 1508 he moved to Rome at the invitation of Pope Julius II, to work on the Apostolic Palace at the Vatican. He was given a series of important commissions there and elsewhere in the city, and began to work as an architect. He was still at the height of his powers at his death in 1520.\n\nRaphael was enormously productive, running an unusually large workshop and, despite his early death at 37, leaving a large body of work. His career falls naturally into three phases and three styles, first described by Giorgio Vasari: his early years in Umbria, then a period of about four years (1504–1508) absorbing the artistic traditions of Florence, followed by his last hectic and triumphant twelve years in Rome, working for two popes and their close associates. Many of his works are found in the Vatican Palace, where the frescoed Raphael Rooms were the central, and the largest, work of his career. The best known work is The School of Athens in the Vatican Stanza della Segnatura. After his early years in Rome, much of his work was executed by his workshop from his drawings, with considerable loss of quality. He was extremely influential in his lifetime, though outside Rome his work was mostly known from his collaborative printmaking.\n\nAfter his death, the influence of his great rival Michelangelo exceeded his until the 18th and 19th centuries, when Raphael's more serene and harmonious qualities were again regarded as the highest models. Thanks to the influence of art historian Johann Joachim Winckelmann, his work became a formative influence on Neoclassical painting, but his techniques would later be explicitly and emphatically rejected by groups such as the Pre-Raphaelite Brotherhood.","1483-03-28","1520-04-06","raphael\u002Fraphael",8,"MALE","the-marriage-of-the-virgin","1504","The Marriage of the Virgin, also known as Lo Sposalizio, is an oil painting by the Italian High Renaissance artist Raphael. Completed in 1504 for the Franciscan church of San Francesco, Città di Castello, the painting depicts a marriage ceremony between Mary and Joseph. It changed hands several times before settling in 1806 at the Pinacoteca di Brera.",175,"Lo Sposalizio (Italian)",113,118,"The_Marriage_of_the_Virgin_(Raphael)",[],[94],{"name":95,"id":96,"slug":97},"Christian Art","4de47523-b108-4653-9de4-31aebbb8634c","christian-art",{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":99,"slug":21,"description":22,"background":23,"logo":24,"phone":25,"popularity":26,"schedules":20,"website":27,"wikipediaId":28},{"latitude":11,"longitude":12,"name":13,"id":14,"country":100,"slug":19,"image":20},{"id":16,"name":17,"slug":18},[102,106],{"name":103,"id":104,"slug":105,"dates":20},"High Renaissance","675dcdea-1b39-405b-b0b0-f29a287e4a90","high-renaissance",{"name":107,"id":108,"slug":109,"dates":20},"Italian Renaissance","8f9f464c-8fd7-47d8-8125-94e431bcf539","italian-renaissance",[111],{"name":112,"id":113,"slug":114},"Oil on roundheaded panel","c0763c97-1607-4625-ba17-37026b5cc00d","oil-on-roundheaded-panel",2,0,30,1]