[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"museum-museo-del-prado":3,"museum-paintings-museo-del-prado":36,"museum-nearby-museo-del-prado":231},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":10,"slug":21,"description":22,"background":23,"logo":24,"phone":25,"popularity":26,"schedules":27,"website":28,"wikipediaId":29,"popularPaintingImages":30},"Calle de Ruiz de Alarcón",40.4138,-3.6921,"Museo del Prado","28014","bd8a7d99-0b4d-4328-84f1-6f41890bb70e",{"latitude":11,"longitude":12,"name":13,"id":14,"country":15,"slug":19,"image":20},40.4168,-3.7038,"Madrid","aab32389-9e1f-4ebc-8f96-9404f55e3b6a",{"id":16,"name":17,"slug":18},"3df0b5e9-4116-4886-8114-019bb3a989c0","Spain","spain","madrid","","museo-del-prado","The Museo del Prado (\u002Fˈprɑːdoʊ\u002F PRAH-doh; Spanish pronunciation: ), officially known as Museo Nacional del Prado, is the main Spanish national art museum, located in central Madrid. It houses collections of European art, dating from the 12th century to the early 20th century, based on the former Spanish royal collection, and the single best collection of Spanish art. Founded as a museum of paintings and sculpture in 1819, it also contains important collections of other types of works. The numerous works by Francisco Goya, the single most extensively represented artist, as well as by Hieronymus Bosch, El Greco, Peter Paul Rubens, Titian, and Diego Velázquez, are some of the highlights of the collection. Velázquez and his keen eye and sensibility were also responsible for bringing much of the museum's fine collection of Italian masters to Spain, now one of the largest outside of Italy.\n\nThe collection currently comprises around 8,200 drawings, 7,600 paintings, 4,800 prints, and 1,000 sculptures, in addition to many other works of art and historic documents. As of 2012, the museum displayed about 1,300 works in the main buildings, while around 3,100 works were on temporary loan to various museums and official institutions. The remainder were in storage.\n\nThe Prado was ranked as the 16th most-visited museum in the list of most-visited art museums in the world in 2020.\n\nThe Prado and the nearby Thyssen-Bornemisza Museum and the Museo Reina Sofía form Madrid's Golden Triangle of Art along the Paseo del Prado, which was included in the UNESCO World Heritage list in 2021.","museo-del-prado\u002Fbackground\u002Fmuseo-del-prado_background","museo-del-prado\u002Flogo\u002Fmuseo-del-prado_logo","+34 913 30 28 00",10,"Daily: 10:00 AM - 08:00 PM\nSunday and holidays: open until 07:00 PM \n6 January, 24 and 31 December : open until 02:00 PM\n1 January, 1 May and 25 December : closed","https:\u002F\u002Fwww.museodelprado.es","Museo_del_Prado",[31,32,33,34,35],"diego-velazquez\u002Flas-meninas\u002Flas-meninas","hieronymus-bosch\u002Fthe-garden-of-earthly-delights\u002Fthe-garden-of-earthly-delights","francisco-goya\u002Fsaturn-devouring-his-son\u002Fsaturn-devouring-his-son","francisco-goya\u002Fthe-third-of-may-1808\u002Fthe-third-of-may-1808","diego-velazquez\u002Fthe-surrender-of-breda\u002Fthe-surrender-of-breda",{"items":37,"total":228,"page":229,"pageSize":108,"totalPages":230},[38,85,134,176,204],{"title":39,"id":40,"artists":41,"slug":57,"date":58,"description":59,"height":60,"image":31,"inPrivateCollection":61,"isLocationUnknown":61,"originalTitle":62,"popularity":63,"width":64,"wikipediaId":65,"collections":66,"genres":67,"museum":72,"movements":75,"mediums":80},"Las Meninas","4e5da260-6cf4-4b07-a2f3-fd9f95d0cd10",[42],{"name":43,"id":44,"nationality":45,"slug":49,"biography":50,"born":51,"death":52,"image":53,"popularity":54,"sex":55,"wikipediaId":56},"Diego Velázquez","4b62bd01-f3f3-4a2e-a0b9-a26e6b0db85d",{"id":46,"name":47,"slug":48},"4a09a1c7-aa43-449d-8504-5ee4f0da4987","Spanish","spanish","diego-velazquez","Diego Rodríguez de Silva y Velázquez (baptised 6 June 1599 – 6 August 1660) was a Spanish painter, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. He is generally considered one of the greatest artists in the history of Western art.\n\nHe was an individualistic artist of the Baroque period (c. 1600–1750). He began to paint in a precise tenebrist style, later developing a freer manner characterized by bold brushwork. In addition to numerous renditions of scenes of historical and cultural significance, he painted scores of portraits of the Spanish royal family and commoners, culminating in his masterpiece Las Meninas (1656).\n\nVelázquez's paintings became a model for 19th century realist and impressionist painters. In the 20th century, artists such as Pablo Picasso, Salvador Dalí, and Francis Bacon paid tribute to Velázquez by re-interpreting some of his most iconic images.\n\nMost of his work entered the Spanish royal collection, and by far the best collection is in the Museo del Prado in Madrid, although some portraits were sent abroad as diplomatic gifts, especially to the Austrian Habsburgs.","1599-01-01","1660-01-01","diego-velazquez\u002Fdiego-velazquez",15,"MALE","Diego_Velázquez","las-meninas","1656","Las Meninas (Spanish for 'The Ladies-in-waiting' pronounced ) is a 1656 painting in the Museo del Prado in Madrid, by Diego Velázquez, the leading artist in the court of King Philip IV of Spain and Portugal, and of the Spanish Golden Age. It has become one of the most widely analyzed works in Western painting for the way its complex and enigmatic composition raises questions about reality and illusion, and for the uncertain relationship it creates between the viewer and the figures depicted.\n\nThe painting is believed by the art historian F. J. Sánchez Cantón to depict a room in the Royal Alcazar of Madrid during the reign of Philip IV, and presents several figures, most identifiable from the Spanish court, captured in a particular moment as if in a snapshot. Some of the figures look out of the canvas towards the viewer, while others interact among themselves. The five-year-old Infanta Margaret Theresa is surrounded by her entourage of maids of honour, chaperone, bodyguard, two little people and a dog. Just behind them, Velázquez portrays himself working at a large canvas. Velázquez looks outwards beyond the pictorial space to where a viewer of the painting would stand. In the background there is a mirror that reflects the upper bodies of the king and queen. They appear to be placed outside the picture space in a position similar to that of the viewer, although some scholars have speculated that their image is a reflection from the painting Velázquez is shown working on.\n\nLas Meninas has long been recognised as one of the most important paintings in the history of Western art. The Baroque painter Luca Giordano said that it represents the \"theology of painting\", and in 1827 the president of the Royal Academy of Arts Sir Thomas Lawrence described the work in a letter to his successor David Wilkie as \"the true philosophy of the art\". More recently, it has been described as Velázquez's \"supreme achievement, a highly self-conscious, calculated demonstration of what painting could achieve, and perhaps the most searching comment ever made on the possibilities of the easel painting\".",318,false,"Las Meninas (Spanish)",23,276,"Las_Meninas",[],[68],{"name":69,"id":70,"slug":71},"Figure painting","8b9c0def-0123-4567-89ab-cdef12345678","figure-painting",{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":73,"slug":21,"description":22,"background":23,"logo":24,"phone":25,"popularity":26,"schedules":27,"website":28,"wikipediaId":29},{"latitude":11,"longitude":12,"name":13,"id":14,"country":74,"slug":19,"image":20},{"id":16,"name":17,"slug":18},[76],{"name":77,"id":78,"slug":79,"dates":20},"Baroque","645c114f-78c5-4b27-98f2-fc83d056fc37","baroque",[81],{"name":82,"id":83,"slug":84},"Oil on canvas","f74fc1b0-2804-4c39-a52c-84cad71698d7","oil-on-canvas",{"title":86,"id":87,"artists":88,"slug":103,"date":104,"description":105,"height":106,"image":32,"inPrivateCollection":61,"isLocationUnknown":61,"originalTitle":107,"popularity":108,"width":109,"wikipediaId":110,"collections":111,"genres":112,"museum":121,"movements":124,"mediums":129},"The Garden of Earthly Delights","8d3f42fc-086d-4337-a531-e21e396372db",[89],{"name":90,"id":91,"nationality":92,"slug":96,"biography":97,"born":98,"death":99,"image":100,"popularity":101,"sex":55,"wikipediaId":102},"Hieronymus Bosch","3b29cd94-7d49-4e6d-9da5-db6bd0d4d2bf",{"id":93,"name":94,"slug":95},"a9c6c9dc-fe5f-46ac-ad89-5121979f7bb7","Dutch","dutch","hieronymus-bosch","Hieronymus Bosch (\u002Fhaɪˈrɒnɪməs bɒʃ, bɔːʃ, bɔːs\u002F; Dutch: ⓘ; born Jheronimus van Aken ; c. 1450 – 9 August 1516) was a Dutch painter from Brabant. He is one of the most notable representatives of the Early Netherlandish painting school. His work, generally oil on oak wood, mainly contains fantastic illustrations of religious concepts and narratives. Within his lifetime, his work was collected in the Netherlands, Austria, and Spain, and widely copied, especially his macabre and nightmarish depictions of hell.\n\nLittle is known of Bosch's life, though there are some records. He spent most of it in the town of 's-Hertogenbosch, where he was born in his grandfather's house. The roots of his forefathers are in Nijmegen and Aachen (reflected in his surname, Van Aken). His original, fantastical style cast a wide influence on northern art of the 16th century; Pieter Bruegel the Elder was his best-known follower. Today, Bosch is seen as a highly individualistic artist who offered profound insights into humanity's desires and deepest fears. Attribution of his work has been especially difficult; today only about 25 paintings are confidently given to his hand along with eight drawings. About another half-dozen paintings are confidently attributed to his workshop. His most acclaimed works consist of three triptych altarpieces, particularly The Garden of Earthly Delights.","c. 1450","1516-08-09","hieronymus-bosch\u002Fhieronymus-bosch",29,"Hieronymus_Bosch","the-garden-of-earthly-delights","c. 1490 - 1510","The Garden of Earthly Delights (Dutch: De tuin der lusten, lit. 'The garden of lusts') is the modern title given to a triptych oil painting on oak panel painted by the Early Netherlandish master Hieronymus Bosch, between 1490 and 1510, when Bosch was between 40 and 60 years old. Bosch's religious beliefs are unknown, but interpretations of the work typically assume it is a warning against the perils of temptation. The outer panels place the work on the Third Day of Creation. The intricacy of its symbolism, particularly that of the central panel, has led to a wide range of scholarly interpretations over the centuries.\n\nTwentieth-century art historians are divided as to whether the triptych's central panel is a moral warning or a panorama of the paradise lost. He painted three large triptychs (the others are The Last Judgment of c. 1482 and The Haywain Triptych of c. 1516) that can be read from left to right and in which each panel was essential to the meaning of the whole. Each of these three works presents distinct yet linked themes addressing history and faith. Triptychs from this period were generally intended to be read sequentially, the left and right panels often portraying Eden and the Last Judgment respectively, while the main subject was contained in the centerpiece.\n\nIt is not known whether The Garden was intended as an altarpiece, but the general view is that the extreme subject matter of the inner center and right panels make it unlikely that it was planned for a church or monastery. It has been housed in the Museo del Prado in Madrid, Spain since 1939.\n\nThe painting was featured in the 1980 BBC Two series 100 Great Paintings.",205.5,"De tuin der lusten (Dutch)",30,384.9,"The_Garden_of_Earthly_Delights",[],[113,117],{"name":114,"id":115,"slug":116},"Christian Art","4de47523-b108-4653-9de4-31aebbb8634c","christian-art",{"name":118,"id":119,"slug":120},"Religion","6f789abc-def0-4567-8901-23456789abcd","religion",{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":122,"slug":21,"description":22,"background":23,"logo":24,"phone":25,"popularity":26,"schedules":27,"website":28,"wikipediaId":29},{"latitude":11,"longitude":12,"name":13,"id":14,"country":123,"slug":19,"image":20},{"id":16,"name":17,"slug":18},[125],{"name":126,"id":127,"slug":128,"dates":20},"Northern Renaissance","4c419af9-b643-419d-ae72-d8d323eade1d","northern-renaissance",[130],{"name":131,"id":132,"slug":133},"Oil on oak panel","289086f7-4cd3-40d8-b134-6cd57cd30896","oil-on-oak-panel",{"title":135,"id":136,"artists":137,"slug":149,"date":150,"description":151,"height":152,"image":33,"inPrivateCollection":61,"isLocationUnknown":61,"originalTitle":153,"popularity":154,"width":155,"wikipediaId":156,"collections":157,"genres":158,"museum":163,"movements":166,"mediums":171},"Saturn Devouring His Son","cb2b04b4-1be7-4599-9f4e-b11fd9f08a42",[138],{"name":139,"id":140,"nationality":141,"slug":142,"biography":143,"born":144,"death":145,"image":146,"popularity":147,"sex":55,"wikipediaId":148},"Francisco Goya","9cf86e9e-82b1-48a9-a677-7080ba638921",{"id":46,"name":47,"slug":48},"francisco-goya","Francisco José de Goya y Lucientes (\u002Fˈɡɔɪə\u002F; Spanish: ; 30 March 1746 – 16 April 1828) was a Spanish romantic painter and printmaker. He is considered the most important Spanish artist of the late 18th and early 19th centuries. His paintings, drawings, and engravings reflected contemporary historical upheavals and influenced important 19th- and 20th-century painters. Goya is often referred to as the last of the Old Masters and the first of the moderns.\n\nGoya was born in Fuendetodos, Aragon to a middle-class family in 1746. He studied painting from age 14 under José Luzán y Martínez and moved to Madrid to study with Anton Raphael Mengs. He married Josefa Bayeu in 1773. Goya became a court painter to the Spanish Crown in 1786 and this early portion of his career is marked by portraits of the Spanish aristocracy and royalty, and Rococo-style tapestry cartoons designed for the royal palace.\n\nAlthough Goya's letters and writings survive, little is known about his thoughts. He had a severe and undiagnosed illness in 1793 that left him deaf, after which his work became progressively darker and more pessimistic. His later easel and mural paintings, prints and drawings appear to reflect a bleak outlook on personal, social, and political levels and contrast with his social climbing. He was appointed Director of the Royal Academy in 1795, the year Manuel Godoy made an unfavorable treaty with France. In 1799, Goya became Primer Pintor de Cámara (Prime Court Painter), the highest rank for a Spanish court painter. In the late 1790s, commissioned by Godoy, he completed his La maja desnuda, a remarkably daring nude for the time and clearly indebted to Diego Velázquez. In 1800–01, he painted Charles IV of Spain and His Family, also influenced by Velázquez.\n\nIn 1807, Napoleon led the French army into the Peninsular War against Spain. Goya remained in Madrid during the war, which seems to have affected him deeply. Although he did not speak his thoughts in public, they can be inferred from his Disasters of War series of prints (although published 35 years after his death) and his 1814 paintings The Second of May 1808 and The Third of May 1808. Other works from his mid-period include the Caprichos and Los Disparates etching series, and a wide variety of paintings concerned with insanity, mental asylums, witches, fantastical creatures and religious and political corruption, all of which suggest that he feared for both his country's fate and his own mental and physical health.\n\nHis late period culminates with the Black Paintings of 1819–1823, applied on oil on the plaster walls of his house the Quinta del Sordo (House of the Deaf Man) where, disillusioned by political and social developments in Spain, he lived in near isolation. Goya eventually abandoned Spain in 1824 to retire to the French city of Bordeaux, accompanied by his much younger maid and companion, Leocadia Weiss, who may have been his lover. There he completed his La Tauromaquia series and a number of other works. Following a stroke that left him paralyzed on his right side, Goya died and was buried on 16 April 1828 aged 82.","1746-03-30","1828-04-16","francisco-goya\u002Ffrancisco-goya",37,"Francisco_Goya","saturn-devouring-his-son","c. 1820–1823","Saturn Devouring His Son (Spanish: Saturno Devorando a su Hijo; also known as Saturn) is a painting by Spanish artist Francisco Goya. The work is one of the 14 so-called Black Paintings that Goya painted directly on the walls of his house some time between 1820 and 1823. It was transferred to canvas after Goya's death and is now in the Museo del Prado in Madrid.\n\nThe painting is traditionally considered a depiction of the Greek myth of the Titan Cronus, whom the Romans called Saturn, eating one of his children out of fear of a prophecy by Gaea that one of his children would overthrow him. Like all of the Black Paintings, it was not originally intended for public consumption and Goya did not provide a title or notes. Thus, its interpretation is disputed.",143.5,"Saturno devorando a su hijo (Spanish)",65,81.4,"Saturn_Devouring_His_Son",[],[159],{"name":160,"id":161,"slug":162},"Mythology","3a4e83ec-0f3f-4f44-9f84-94e21ad1abb0","mythology",{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":164,"slug":21,"description":22,"background":23,"logo":24,"phone":25,"popularity":26,"schedules":27,"website":28,"wikipediaId":29},{"latitude":11,"longitude":12,"name":13,"id":14,"country":165,"slug":19,"image":20},{"id":16,"name":17,"slug":18},[167],{"name":168,"id":169,"slug":170,"dates":20},"Romanticism","6d170858-dbc2-4658-9820-50889eb73ae6","romanticism",[172],{"name":173,"id":174,"slug":175},"Mixed media mural transferred to canvas","5a8fad61-b033-4e96-959d-a701a2d99bee","mixed-media-mural-transferred-to-canvas",{"title":177,"id":178,"artists":179,"slug":182,"date":183,"description":184,"height":185,"image":34,"inPrivateCollection":61,"isLocationUnknown":61,"originalTitle":186,"popularity":187,"width":188,"wikipediaId":189,"collections":190,"genres":191,"museum":197,"movements":200,"mediums":202},"The Third of May 1808","88bd951c-6cf8-4b2b-9f1a-9592fae008c5",[180],{"name":139,"id":140,"nationality":181,"slug":142,"biography":143,"born":144,"death":145,"image":146,"popularity":147,"sex":55,"wikipediaId":148},{"id":46,"name":47,"slug":48},"the-third-of-may-1808","1814","The Third of May 1808 in Madrid (commonly known as The Third of May 1808) and also known, in Spanish, as El tres de mayo de 1808 en Madrid or Los fusilamientos de la montaña del Príncipe Pío, or Los fusilamientos del tres de mayo, is a painting completed in 1814 by the Spanish painter Francisco Goya, now in the Museo del Prado, Madrid. In the work, Goya sought to commemorate Spanish resistance to Napoleon's armies during the occupation of Madrid in 1808 at the start of the Peninsular War. Along with its companion piece of the same size, The Second of May 1808 (or The Charge of the Mamelukes), it was commissioned by the provisional government of Spain at Goya's own suggestion shortly after the ousting of the French occupation and the restoration of King Ferdinand VII.\n\nThe painting's content, presentation, and emotional force secure its status as a ground-breaking, archetypal image of the horrors of war. Although it draws on many sources from both high and popular art, The Third of May marks a clear break from convention. By diverging from the traditions of Christian art and traditional depictions of war, it has no distinct precedent, and is acknowledged as one of the first paintings of the modern era. According to the art historian Kenneth Clark, it is \"the first great picture which can be called revolutionary in every sense of the word, in style, in subject, and in intention\".\n\nThe Third of May 1808 inspired Gerald Holtom's peace sign and a number of later major paintings, including a series by Édouard Manet, and Pablo Picasso's Massacre in Korea and Guernica.",268,"Tres de mayo (Spanish)",68,347,"The_Third_of_May_1808",[],[192,196],{"name":193,"id":194,"slug":195},"Historical","7c4fd70a-c639-46a9-9138-c1a21665ca09","historical",{"name":69,"id":70,"slug":71},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":198,"slug":21,"description":22,"background":23,"logo":24,"phone":25,"popularity":26,"schedules":27,"website":28,"wikipediaId":29},{"latitude":11,"longitude":12,"name":13,"id":14,"country":199,"slug":19,"image":20},{"id":16,"name":17,"slug":18},[201],{"name":168,"id":169,"slug":170,"dates":20},[203],{"name":82,"id":83,"slug":84},{"title":205,"id":206,"artists":207,"slug":210,"date":211,"description":212,"height":213,"image":35,"inPrivateCollection":61,"isLocationUnknown":61,"originalTitle":214,"popularity":215,"width":216,"wikipediaId":217,"collections":218,"genres":219,"museum":221,"movements":224,"mediums":226},"The Surrender of Breda","7f22a5ad-460a-492e-a464-bc20be536936",[208],{"name":43,"id":44,"nationality":209,"slug":49,"biography":50,"born":51,"death":52,"image":53,"popularity":54,"sex":55,"wikipediaId":56},{"id":46,"name":47,"slug":48},"the-surrender-of-breda","1634–1635","La rendición de Breda (English: The Surrender of Breda, also known as Las lanzas – The Lances) is a painting by the Spanish Golden Age painter Diego Velázquez. He painted it during the years 1634 and 1635, inspired by his visit to Italy with Ambrogio Spinola, the Genoese-born Spanish general who conquered Breda on June 5, 1625. The painting depicts the exchange of the key of Breda from the Dutch to the Spanish.\n\nIt is considered one of Velázquez's best works. Velázquez composed The Surrender of Breda into two halves, which included the Dutch leader Justinus van Nassau and the Spanish Genoese general Spinola. Jan Morris has called it \"one of the most Spanish of all pictures\".",307,"La rendición de Breda, Las lanzas (Spanish)",106,367,"The_Surrender_of_Breda",[],[220],{"name":193,"id":194,"slug":195},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":222,"slug":21,"description":22,"background":23,"logo":24,"phone":25,"popularity":26,"schedules":27,"website":28,"wikipediaId":29},{"latitude":11,"longitude":12,"name":13,"id":14,"country":223,"slug":19,"image":20},{"id":16,"name":17,"slug":18},[225],{"name":77,"id":78,"slug":79,"dates":20},[227],{"name":82,"id":83,"slug":84},5,0,1,[232],{"address":233,"latitude":234,"longitude":235,"name":236,"zipCode":237,"id":238,"city":239,"slug":241,"description":242,"background":243,"logo":244,"phone":245,"popularity":54,"schedules":20,"website":246,"wikipediaId":247},"C. de Sta. Isabel, 52, Centro",40.4165,-3.7026,"Museo Nacional Centro de Arte Reina Sofía","28012","3eba66e2-dc02-42a5-91d2-7580ef45f626",{"latitude":11,"longitude":12,"name":13,"id":14,"country":240,"slug":19,"image":20},{"id":16,"name":17,"slug":18},"museo-nacional-centro-de-arte-reina-sofia","The Museo Nacional Centro de Arte Reina Sofía (\"Queen Sofía National Museum Art Centre\"; MNCARS) is Spain's national museum of 20th-century art. The museum was officially inaugurated on September 10, 1992, and is named for Queen Sofía. It is located in Madrid, near the Atocha train and metro stations, at the southern end of the so-called Golden Triangle of Art (located along the Paseo del Prado and also comprising the Museo del Prado and the Museo Thyssen-Bornemisza).\n\nThe museum is mainly dedicated to Spanish art. Highlights of the museum include collections of Spain's two greatest 20th-century masters, Pablo Picasso and Salvador Dalí. The most famous masterpiece in the museum is Picasso's 1937 painting Guernica. Along with its extensive collection, the museum offers a mixture of national and international temporary exhibitions in its many galleries, making it one of the world's largest museums for modern and contemporary art. In 2021, due to the COVID-19 pandemic restrictions, it attracted 1,643,108 visitors, up 32 percent from 2020, but well below 2019 attendance. In 2021 it ranked eighth on the list of most-visited art museums in the world.\n\nIt also hosts a free-access library specializing in art, with a collection of over 100,000 books, over 3,500 sound recordings, and almost 1,000 videos.","museo-nacional-centro-de-arte-reina-sofia\u002Fbackground\u002Fmuseo-nacional-centro-de-arte-reina-sofia_background","museo-nacional-centro-de-arte-reina-sofia\u002Flogo\u002Fmuseo-nacional-centro-de-arte-reina-sofia_logo","+34 917 74 10 00","https:\u002F\u002Fwww.museoreinasofia.es\u002Fen","Museo_Nacional_Centro_de_Arte_Reina_Sofía"]