[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"museum-mauritshuis":3,"museum-paintings-all-mauritshuis":32},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":10,"slug":21,"description":22,"background":23,"logo":24,"phone":25,"popularity":26,"schedules":27,"website":28,"wikipediaId":7,"popularPaintingImages":29},"Plein 29",52.0803,4.3142,"Mauritshuis","2511 CS","9ba10408-1736-46d1-8629-77500d746212",{"latitude":11,"longitude":12,"name":13,"id":14,"country":15,"slug":19,"image":20},52.0786,4.2887,"The Hague","1e046a86-f8bb-4ab9-9f1d-cf981c831c71",{"id":16,"name":17,"slug":18},"d32bdaf3-2c44-4fc1-b4bb-b17dc393d1f3","Netherlands","netherlands","the-hague","","mauritshuis","The Mauritshuis (Dutch pronunciation: , The Hague dialect: ; lit. 'Maurice House') is an art museum in The Hague, Netherlands. The museum houses the Royal Cabinet of Paintings which consists of 854 objects, mostly Dutch Golden Age paintings. The collection contains works by Johannes Vermeer, Rembrandt van Rijn, Jan Steen, Paulus Potter, Frans Hals, Jacob van Ruisdael, Hans Holbein the Younger, and others. Originally, the 17th-century building was the residence of Count John Maurice of Nassau. The building is now the property of the government of the Netherlands and is listed in the top 100 Dutch heritage sites.","mauritshuis\u002Fbackground\u002Fmauritshuis_background","mauritshuis\u002Flogo\u002Fmauritshuis_logo","+31 70 302 34 56",8,"Daily: 10:00 AM - 6:00 PM\nMonday: open from 01:00 PM","https:\u002F\u002Fwww.mauritshuis.nl",[30,31],"johannes-vermeer\u002Fgirl-with-a-pearl-earring\u002Fgirl-with-a-pearl-earring","rembrandt-van-rijn\u002Fthe-anatomy-lesson-of-dr-nicolaes-tulp\u002Fthe-anatomy-lesson-of-dr-nicolaes-tulp",{"items":33,"total":121,"page":122,"pageSize":123,"totalPages":124},[34,81],{"title":35,"id":36,"artists":37,"slug":53,"date":54,"description":55,"height":56,"image":30,"inPrivateCollection":57,"isLocationUnknown":57,"originalTitle":58,"popularity":59,"width":60,"wikipediaId":61,"collections":62,"genres":63,"museum":68,"movements":71,"mediums":76},"Girl with a Pearl Earring","1e685573-2cc0-4a4a-a19d-06652ee22d49",[38],{"name":39,"id":40,"nationality":41,"slug":45,"biography":46,"born":47,"death":48,"image":49,"popularity":50,"sex":51,"wikipediaId":52},"Johannes Vermeer","ad9d6e2f-2c64-494a-a9c9-b55c2e9aee8d",{"id":42,"name":43,"slug":44},"a9c6c9dc-fe5f-46ac-ad89-5121979f7bb7","Dutch","dutch","johannes-vermeer","Johannes Vermeer (\u002Fvərˈmɪər, vərˈmɛər\u002F vər-MEER, vər-MAIR, Dutch: ; see below; also known as Jan Vermeer; October 1632 – 15 December 1675) was a Dutch painter who specialized in domestic interior scenes of middle-class life. He is considered one of the greatest painters of the Dutch Golden Age. During his lifetime, he was a moderately successful provincial genre painter, recognized in Delft and The Hague. He produced relatively few paintings, primarily earning his living as an art dealer. He was not wealthy; at his death, his wife was left in debt.\n\nVermeer worked slowly and with great care, and frequently used very expensive pigments. He is particularly renowned for making masterful use of light in his work. \"Almost all his paintings\", Hans Koningsberger wrote, \"are apparently set in two smallish rooms in his house in Delft; they show the same furniture and decorations in various arrangements and they often portray the same people, mostly women.\"\n\nThe modest celebrity he enjoyed during his life gave way to obscurity after his death. He was barely mentioned in Arnold Houbraken's major source book on 17th-century Dutch painting (Grand Theatre of Dutch Painters and Women Artists, published 1718) and, as a result, was omitted from subsequent surveys of Dutch art for nearly two centuries. In the 19th century, Vermeer was rediscovered by Gustav Friedrich Waagen and Théophile Thoré-Bürger, who published an essay attributing 66 works to him, although only 34 paintings are universally attributed to him today. Since that time, Vermeer's reputation has grown enormously.","1632-10-31","1675-12-15","johannes-vermeer\u002Fjohannes-vermeer",6,"MALE","Johannes_Vermeer","girl-with-a-pearl-earring","c. 1665","Girl with a Pearl Earring (Dutch: Meisje met de parel) is an oil painting by Dutch Golden Age painter Johannes Vermeer, dated c. 1665. Going by various names over the centuries, it acquired its present title towards the end of the 20th century. The work has been in the collection of the Mauritshuis in The Hague since 1902 and has been the subject of various literary and cinematic treatments.\n\nThe painting is a tronie, the Dutch 17th-century description of a \"head\" that was not meant to be a portrait. It depicts a European girl wearing \"exotic dress\", an \"oriental turban\", and what appears to be a very large pearl as an earring. The identity of the subject is unknown. She may have been real or imagined, or she might represent a Sibyl or a biblical figure. She has also been said to be the artist's eldest daughter, Maria, though some art historians dismiss this speculation as an anachronism. The work is oil on canvas and is 44.5 cm (17.5 in) tall by 39 cm (15 in) wide. It is signed \"IVMeer\" but not dated. It is estimated to have been painted around 1665.\n\nThe most recent (1994) restoration of the painting brought out hidden subtleties in the colour scheme and deepened the intimacy of the girl's gaze towards the viewer. During this process, it was discovered that the dark background, today somewhat mottled, was originally a deep enamel-like green. This effect was produced by applying a thin transparent layer of paint—a glaze—over the black background seen now. However, the two organic pigments of the green glaze, indigo and weld, have faded. In 2014, Dutch astrophysicist Vincent Icke raised doubts about the material of the earring, arguing that it looks more like polished tin than pearl on the grounds of the specular reflection, the pear shape and the large size of the earring.\n\nIt was claimed in October 2025 that the subject of the painting was Magdalena, the 12-year-old daughter of Vermeer's chief patron Pieter Claesz van Ruijven, who lived in Delft in the Old Town in a house called the Golden Eagle. The family were said to have been Remonstrantist Christians, for whom the biblical Mary Magdalene was an important figure and after whom their daughter was named. It is suggested that the portrait with its biblical style of clothing was painted to commemorate Magdalena's baptism into the church.",44.5,false,"Meisje met de parel (Dutch)",4,39,"Girl_with_a_Pearl_Earring",[],[64],{"name":65,"id":66,"slug":67},"Portrait","5e6f789a-abcd-4ef0-1234-567890abcdef","portrait",{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":69,"slug":21,"description":22,"background":23,"logo":24,"phone":25,"popularity":26,"schedules":27,"website":28,"wikipediaId":7},{"latitude":11,"longitude":12,"name":13,"id":14,"country":70,"slug":19,"image":20},{"id":16,"name":17,"slug":18},[72],{"name":73,"id":74,"slug":75,"dates":20},"Dutch Golden Age","88b1c589-4227-4a35-ba19-83c4ee884ff8","dutch-golden-age",[77],{"name":78,"id":79,"slug":80},"Oil on canvas","f74fc1b0-2804-4c39-a52c-84cad71698d7","oil-on-canvas",{"title":82,"id":83,"artists":84,"slug":96,"date":97,"description":98,"height":99,"image":31,"inPrivateCollection":57,"isLocationUnknown":57,"originalTitle":100,"popularity":101,"width":102,"wikipediaId":103,"collections":104,"genres":105,"museum":110,"movements":113,"mediums":119},"The Anatomy Lesson of Dr. Nicolaes Tulp","fed59a96-dd6a-4071-99ba-db485c1390b0",[85],{"name":86,"id":87,"nationality":88,"slug":89,"biography":90,"born":91,"death":92,"image":93,"popularity":94,"sex":51,"wikipediaId":95},"Rembrandt van Rijn","124d73af-72ac-485d-be4f-0ccd00938b38",{"id":42,"name":43,"slug":44},"rembrandt-van-rijn","Rembrandt Harmenszoon van Rijn (\u002Fˈrɛmbrænt, ˈrɛmbrɑːnt\u002F; Dutch: ⓘ; 15 July 1606 – 4 October 1669), mononymously known as Rembrandt, was a Dutch Golden Age painter, printmaker, and draughtsman. He is generally considered one of the greatest visual artists in the history of Western art. It is estimated that Rembrandt's surviving works amount to about three hundred paintings, three hundred etchings, and several hundred drawings.\n\nUnlike most Dutch painters of the 17th century, Rembrandt's works depict a wide range of styles and subject matter, from portraits and self-portraits to landscapes, genre scenes, allegorical and historical scenes, biblical and mythological subjects and animal studies. His contributions to art came in a period that historians call the Dutch Golden Age.\n\nRembrandt never went abroad, but was considerably influenced by the work of the Italian Old Masters and Dutch and Flemish artists who had studied in Italy. After he achieved youthful success as a portrait painter, Rembrandt's later years were marked by personal tragedy and financial hardships. Yet his etchings and paintings were popular throughout his lifetime, his reputation as an artist remained high, and for twenty years he taught many important Dutch painters. Rembrandt's portraits of his contemporaries, self-portraits and illustrations of scenes from the Bible are regarded as his greatest creative triumphs. His approximately 40 self-portraits form an intimate autobiography.","1606-07-15","1669-10-04","rembrandt-van-rijn\u002Frembrandt-van-rijn",12,"Rembrandt","the-anatomy-lesson-of-dr-nicolaes-tulp","1632","The Anatomy Lesson of Dr. Nicolaes Tulp is a 1632 oil painting on canvas by Rembrandt housed in the Mauritshuis museum in The Hague, the Netherlands. It was originally created to be displayed by the Surgeons Guild in their meeting room. The painting is regarded as one of Rembrandt's early masterpieces.\n\nIn the work, Nicolaes Tulp is pictured explaining the musculature of the arm to a group of doctors. Some of the spectators are various doctors who paid commissions to be included in the painting. The painting is signed in the top-left hand corner Rembrant. f 1632. This may be the first instance of Rembrandt signing a painting with his forename (in its original form) as opposed to the monogram RHL (Rembrandt Harmenszoon of Leiden), and is thus a sign of his growing artistic confidence.",216.5,"Die Anatomie des Dr. Tulp (Dutch)",70,169.5,"The_Anatomy_Lesson_of_Dr._Nicolaes_Tulp",[],[106],{"name":107,"id":108,"slug":109},"Figure painting","8b9c0def-0123-4567-89ab-cdef12345678","figure-painting",{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":111,"slug":21,"description":22,"background":23,"logo":24,"phone":25,"popularity":26,"schedules":27,"website":28,"wikipediaId":7},{"latitude":11,"longitude":12,"name":13,"id":14,"country":112,"slug":19,"image":20},{"id":16,"name":17,"slug":18},[114,118],{"name":115,"id":116,"slug":117,"dates":20},"Baroque","645c114f-78c5-4b27-98f2-fc83d056fc37","baroque",{"name":73,"id":74,"slug":75,"dates":20},[120],{"name":78,"id":79,"slug":80},2,0,30,1]