[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"museum-art-institute-of-chicago":3,"museum-paintings-art-institute-of-chicago":34,"museum-nearby-art-institute-of-chicago":253},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":10,"slug":20,"description":21,"background":22,"logo":23,"phone":24,"popularity":25,"schedules":19,"website":26,"wikipediaId":27,"popularPaintingImages":28},"111 S Michigan Ave",41.8796,-87.623,"Art Institute of Chicago","IL 60603","83a87add-91ce-4e01-a57e-0c5616695299",{"latitude":5,"longitude":11,"name":12,"id":13,"country":14,"slug":18,"image":19},-87.6237,"Chicago","8fa14cdd-7fb9-4e57-91c9-0719c65fa3c0",{"id":15,"name":16,"slug":17},"163eceee-fc56-4c98-b05e-32dce9a959a5","United States of America","united-states-of-america","chicago","","art-institute-of-chicago","The Art Institute of Chicago is a private, nonprofit art museum in Grant Park, Chicago, Illinois, United States.\n\nFounded in 1879, it is one of the oldest and largest art museums in the United States. The museum is based in the Art Institute of Chicago Building in Chicago's Grant Park. Its collection, stewarded by 11 curatorial departments, includes works such as Georges Seurat's A Sunday on La Grande Jatte, Pablo Picasso's The Old Guitarist, Edward Hopper's Nighthawks, and Grant Wood's American Gothic. Its permanent collection of nearly 300,000 works of art is augmented by more than 30 special exhibitions mounted yearly that illuminate aspects of the collection and present curatorial and scientific research. The land of the institute is publicly owned by the city of Chicago and administered by the Chicago Park District.\n\nAs a research institution, the Art Institute also has a conservation and conservation science department, five conservation laboratories, and Ryerson and Burnham Libraries, one of the nation's largest art history and architecture libraries.\n\nThe museum's building was constructed for the 1893 World's Columbian Exposition and, due to the growth of the collection, several additions have occurred since. The Modern Wing, designed by Renzo Piano, is the most recent expansion, and when it opened in 2009 it increased the museum's footprint to nearly one million square feet. This made it the second largest art museum in the United States, after the Metropolitan Museum of Art in New York City.\n\nThe School of the Art Institute of Chicago is legally part of the Art Institute of Chicago, making it one of the few remaining unified arts institutions in the United States.","art-institute-of-chicago\u002Fbackground\u002Fart-institute-of-chicago_background","art-institute-of-chicago\u002Flogo\u002Fart-institute-of-chicago_logo","+1 312-443-3600",14,"https:\u002F\u002Fwww.artic.edu\u002F","Art_Institute_of_Chicago",[29,30,31,32,33],"edward-hopper\u002Fnighthawks\u002Fnighthawks","grant-wood\u002Famerican-gothic\u002Famerican-gothic","claude-monet\u002Farrival-of-the-normandy-train-gare-saint-lazare\u002Farrival-of-the-normandy-train-gare-saint-lazare","georges-seurat\u002Fa-sunday-afternoon-on-the-island-of-la-grande-jatte\u002Fa-sunday-afternoon-on-the-island-of-la-grande-jatte","gustave-caillebotte\u002Fparis-street-rainy-day\u002Fparis-street-rainy-day",{"items":35,"total":249,"page":250,"pageSize":251,"totalPages":252},[36,82,123,162,209],{"title":37,"id":38,"artists":39,"slug":55,"date":56,"description":57,"height":58,"image":29,"inPrivateCollection":59,"isLocationUnknown":59,"originalTitle":19,"popularity":60,"width":61,"wikipediaId":62,"collections":63,"genres":64,"museum":69,"movements":72,"mediums":77},"Nighthawks","322ab25c-7ca2-4061-b42a-15b684056610",[40],{"name":41,"id":42,"nationality":43,"slug":47,"biography":48,"born":49,"death":50,"image":51,"popularity":52,"sex":53,"wikipediaId":54},"Edward Hopper","ea69068e-1138-4174-a52b-687c3b4c693a",{"id":44,"name":45,"slug":46},"a9e38113-32ee-4b9d-90fa-ce79cfbf69af","American","american","edward-hopper","Edward Hopper (July 22, 1882 – May 15, 1967) was an American realist painter and printmaker. He is one of America's most renowned artists and known for his skill in depicting modern American life and landscapes.\n\nBorn in Nyack, New York, to a middle-class family, Hopper's early interest in art was supported by his parents. He studied at the New York School of Art under William Merritt Chase and Robert Henri, where he developed a signature style characterized by its emphasis on solitude, light, and shadow.\n\nHopper's work, spanning oil paintings, watercolors, and etchings, predominantly explores themes of loneliness and isolation within American urban and rural settings. His most famous painting, Nighthawks (1942), exemplifies his focus on quiet, introspective scenes from everyday life. Though his career advanced slowly, Hopper achieved recognition by the 1920s, with his works featured in major American museums. Hopper's technique, marked by a composition of form and use of light to evoke mood, has been influential in the art world and popular culture. His paintings, often set in the architectural landscapes of New York or the serene environments of New England, convey a sense of narrative depth and emotional resonance, making him a pivotal figure in American Realism. Hopper created subdued drama out of commonplace subjects layered with a poetic meaning, inviting narrative interpretations. He was praised for \"complete verity\" in the America he portrayed.\n\nIn 1924, Hopper married fellow artist Josephine Nivison, who played a significant role in managing his career and modeling for many of his works. The couple lived modestly in New York City and spent summers on Cape Cod, which influenced much of Hopper's later art. Despite critical acclaim, Hopper remained private and introspective, dedicated to exploring the subtleties of human experience and the American landscape. His depiction of American life, with its emphasis on isolation and contemplation, remains a defining aspect of his appeal and significance in the history of American art.","1882-07-22","1967-05-15","edward-hopper\u002Fedward-hopper",23,"MALE","Edward_Hopper","nighthawks","1942","Nighthawks is a 1942 oil on canvas painting by the American artist Edward Hopper that portrays four people in a downtown diner late at night as viewed through the diner's large glass window. The light coming from the diner illuminates a darkened and deserted urban streetscape.\n\nThe painting has been described as Hopper's best-known work and is one of the most recognizable paintings in American art. Classified as part of the American Realism movement, within months of its completion, it was sold to the Art Institute of Chicago for $3,000 (equivalent to $57,730 in 2024).",84.1,false,45,152.4,"Nighthawks_(Hopper)",[],[65],{"name":66,"id":67,"slug":68},"Genre Art","ac674f9c-b197-4cb9-b646-e6af5173aa1b","genre-art",{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":70,"slug":20,"description":21,"background":22,"logo":23,"phone":24,"popularity":25,"schedules":19,"website":26,"wikipediaId":27},{"latitude":5,"longitude":11,"name":12,"id":13,"country":71,"slug":18,"image":19},{"id":15,"name":16,"slug":17},[73],{"name":74,"id":75,"slug":76,"dates":19},"American realism","b25f17aa-808b-4025-bc5f-e2412f04ef95","american-realism",[78],{"name":79,"id":80,"slug":81},"Oil on canvas","f74fc1b0-2804-4c39-a52c-84cad71698d7","oil-on-canvas",{"title":83,"id":84,"artists":85,"slug":97,"date":98,"description":99,"height":100,"image":30,"inPrivateCollection":59,"isLocationUnknown":59,"originalTitle":19,"popularity":101,"width":102,"wikipediaId":103,"collections":104,"genres":105,"museum":110,"movements":113,"mediums":118},"American Gothic","593ff967-86b7-43d2-9bc7-9e4b86a01362",[86],{"name":87,"id":88,"nationality":89,"slug":90,"biography":91,"born":92,"death":93,"image":94,"popularity":95,"sex":53,"wikipediaId":96},"Grant Wood","0391e975-dfdb-4dbf-8cce-d77ef34a30c8",{"id":44,"name":45,"slug":46},"grant-wood","Grant DeVolson Wood (February 13, 1891 – February 12, 1942) was an American artist and representative of Regionalism, best known for his paintings depicting the rural American Midwest. He is particularly well known for American Gothic (1930), which has become an iconic example of early 20th-century American art.","1891-02-13","1942-02-12","grant-wood\u002Fgrant-wood",39,"Grant_Wood","american-gothic","1930","American Gothic is a 1930 oil painting on beaverboard by the American Regionalist artist Grant Wood, depicting a Midwestern farmer and his wife or daughter standing in front of their Carpenter Gothic style home. It is one of the most famous American paintings of the 20th century and is frequently referenced in popular culture.\n\nWood was inspired to paint what is now known as the American Gothic House in Eldon, Iowa, along with \"the kind of people fancied should live in that house\".\n\nThe figures were modeled after Wood's sister Nan Wood Graham and Byron McKeeby, the Wood family's dentist. The woman is dressed in a colonial print apron evoking 20th-century rural Americana while the man is adorned in overalls covered by a suit jacket and carries a pitchfork. The plants on the porch of the house are mother-in-law's tongue and beefsteak begonia, which also appear in Wood's 1929 portrait of his mother, Woman with Plants.\n\nFrom 2016 to 2017, the painting was displayed in Paris at the Musée de l'Orangerie and in London at the Royal Academy of Arts, in its first showings outside the United States. The painting is in the collection of the Art Institute of Chicago.",78,72,65.3,"American_Gothic",[],[106],{"name":107,"id":108,"slug":109},"Figure painting","8b9c0def-0123-4567-89ab-cdef12345678","figure-painting",{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":111,"slug":20,"description":21,"background":22,"logo":23,"phone":24,"popularity":25,"schedules":19,"website":26,"wikipediaId":27},{"latitude":5,"longitude":11,"name":12,"id":13,"country":112,"slug":18,"image":19},{"id":15,"name":16,"slug":17},[114],{"name":115,"id":116,"slug":117,"dates":19},"Regionalism","da1cbefe-2651-4670-82cc-609ff46729b3","regionalism",[119],{"name":120,"id":121,"slug":122},"Oil on beaverboard","78e28331-dba8-4dc4-923b-b782a56e5209","oil-on-beaverboard",{"title":124,"id":125,"artists":126,"slug":141,"date":142,"description":143,"height":144,"image":31,"inPrivateCollection":59,"isLocationUnknown":59,"originalTitle":145,"popularity":146,"width":147,"wikipediaId":148,"collections":149,"genres":150,"museum":152,"movements":155,"mediums":160},"Arrival of the Normandy Train, Gare Saint-Lazare","cc0802c6-fb7e-4861-905d-4623150166c2",[127],{"name":128,"id":129,"nationality":130,"slug":134,"biography":135,"born":136,"death":137,"image":138,"popularity":139,"sex":53,"wikipediaId":140},"Claude Monet","2d8e979e-49b2-479e-a062-be1d6455ac1e",{"id":131,"name":132,"slug":133},"ed07084f-12cd-4fcc-b61e-8f2ba92e0866","French","french","claude-monet","Oscar-Claude Monet (UK: \u002Fˈmɒneɪ\u002F, US: \u002Fmoʊˈneɪ, məˈ-\u002F; French: ; 14 November 1840 – 5 December 1926) was a French painter and founder of Impressionism who is seen as a key precursor to modernism, especially in his attempts to paint nature as he perceived it. During his long career, he was the most consistent and prolific practitioner of Impressionism's philosophy of expressing one's perceptions of nature, especially as applied to plein air (outdoor) landscape painting. The term \"Impressionism\" is derived from the title of his painting Impression, Sunrise (Impression, soleil levant), which was exhibited in 1874 at the First Impressionist Exhibition, initiated by Monet and a number of like-minded artists as an alternative to the Salon.\n\nMonet was raised in Le Havre, Normandy, and became interested in the outdoors and drawing from an early age. Although his mother, Louise-Justine Aubrée Monet, supported his ambitions to be a painter, his father, Claude-Adolphe, disapproved and wanted him to pursue a career in business. He was very close to his mother, but she died in January 1857 when he was sixteen years old, and he was sent to live with his childless, widowed but wealthy aunt, Marie-Jeanne Lecadre. He went on to study at the Académie Suisse, and under the academic history painter Charles Gleyre, where he was a classmate of Auguste Renoir. His early works include landscapes, seascapes, and portraits, but attracted little attention. A key early influence was Eugène Boudin, who introduced him to the concept of plein air painting. From 1883, Monet lived in Giverny, also in northern France, where he purchased a house and property and began a vast landscaping project, including a water-lily pond.\n\nMonet's ambition to document the French countryside led to a method of painting the same scene many times so as to capture the changing of light and the passing of the seasons. Among the best-known examples are his series of haystacks (1890–1891), paintings of Rouen Cathedral (1892–1894), and the paintings of water lilies in his garden in Giverny, which occupied him for the last 20 years of his life. Frequently exhibited and successful during his lifetime, Monet's fame and popularity soared in the second half of the 20th century when he became one of the world's most famous painters and a source of inspiration for a burgeoning group of artists.","1840-11-14","1926-12-05","claude-monet\u002Fclaude-monet",7,"Claude_Monet","arrival-of-the-normandy-train-gare-saint-lazare","1877","Arrival of the Normandy Train, Gare Saint-Lazare, also known as The Railway Station of Saint Lazare in Paris, is a c. 1877 oil-on-canvas painting by Claude Monet. It is in the permanent collection of the Art Institute of Chicago.\n\nThe Impressionist painting depicts a steam train from Normandy arriving at the Gare Saint-Lazare railway station in Paris, with crowds of people waiting amid the steam and smoke under the vaulted iron and glass vault of the station's train shed. It was painted en plein air, at the station. It measures 60.3 cm × 80.2 cm (23.7 in × 31.6 in) and is signed and dated in the lower left corner, \"Claude Monet 77\".\n\nThe painting is one of 12 works by Monet depicting a scene at the station, and it was also one of eight that he exhibited at the Third Impressionist Exhibition in Paris in April 1877. It was sold to Ernest Hoschedé in March 1877, but was in the possession of Georges de Bellio the following year. On his death in 1894, it was inherited by de Bellio's daughter Victorine and her husband Ernest Donop de Monchy. Sold to the Bernheim-Jeune gallery around 1899, it passed through the hands of the art dealer Paul Rosenberg and then the Durand-Ruel gallery in Paris in 1911, which took the painting to New York. It was sold later in 1911 to the wealthy industrialist and art collector Martin A. Ryerson for US$7,000. On his death in 1932, it was bequeathed to the Art Institute of Chicago.",59.6,"Arrivée du train de Normandie, gare Saint-Lazare (French)",75,80.2,"Arrival_of_the_Normandy_Train,_Gare_Saint-Lazare",[],[151],{"name":107,"id":108,"slug":109},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":153,"slug":20,"description":21,"background":22,"logo":23,"phone":24,"popularity":25,"schedules":19,"website":26,"wikipediaId":27},{"latitude":5,"longitude":11,"name":12,"id":13,"country":154,"slug":18,"image":19},{"id":15,"name":16,"slug":17},[156],{"name":157,"id":158,"slug":159,"dates":19},"Impressionism","94b7a896-6544-4556-974c-467b626afb4e","impressionism",[161],{"name":79,"id":80,"slug":81},{"title":163,"id":164,"artists":165,"slug":176,"date":177,"description":178,"height":179,"image":32,"inPrivateCollection":59,"isLocationUnknown":59,"originalTitle":180,"popularity":181,"width":182,"wikipediaId":183,"collections":184,"genres":185,"museum":187,"movements":190,"mediums":207},"A Sunday Afternoon on the Island of La Grande Jatte","4e301247-665c-4e87-9807-4f77fd6d439e",[166],{"name":167,"id":168,"nationality":169,"slug":170,"biography":19,"born":171,"death":172,"image":173,"popularity":174,"sex":53,"wikipediaId":175},"Georges Seurat","a5cc2ad9-8f97-4d21-b06d-e9b6c0e8387f",{"id":131,"name":132,"slug":133},"georges-seurat","1859-12-02","1891-03-29","georges-seurat\u002Fgeorges-seurat",43,"Georges_Seurat","a-sunday-afternoon-on-the-island-of-la-grande-jatte","1884–1886","A Sunday Afternoon on the Island of La Grande Jatte (French: Un dimanche après-midi à l'Île de la Grande Jatte) was painted from 1884 to 1886 and is Georges Seurat's most famous work. A leading example of pointillist technique, executed on a large canvas, it is a founding work of the neo-impressionist movement. Seurat's composition includes a number of Parisians at a park on the banks of the River Seine. It is held in the collection of the Art Institute of Chicago.",207.6,"Un dimanche après-midi à l'Île de la Grande Jatte (French)",80,308,"A_Sunday_Afternoon_on_the_Island_of_La_Grande_Jatte",[],[186],{"name":66,"id":67,"slug":68},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":188,"slug":20,"description":21,"background":22,"logo":23,"phone":24,"popularity":25,"schedules":19,"website":26,"wikipediaId":27},{"latitude":5,"longitude":11,"name":12,"id":13,"country":189,"slug":18,"image":19},{"id":15,"name":16,"slug":17},[191,195,199,203],{"name":192,"id":193,"slug":194,"dates":19},"Pointillism","2719d7fa-a535-4dce-bb10-40018c96c17f","pointillism",{"name":196,"id":197,"slug":198,"dates":19},"Post-Impressionism","86aae3e1-efba-4a62-93ab-dd9de5288827","post-impressionism",{"name":200,"id":201,"slug":202,"dates":19},"Neo-Impressionism","9f603919-a382-4c9c-a238-2343c545f713","neo-impressionism",{"name":204,"id":205,"slug":206,"dates":19},"Modern Art","f4c96565-ac59-4dd1-802c-46e44261c09a","modern-art",[208],{"name":79,"id":80,"slug":81},{"title":210,"id":211,"artists":212,"slug":224,"date":142,"description":225,"height":226,"image":33,"inPrivateCollection":59,"isLocationUnknown":59,"originalTitle":227,"popularity":228,"width":229,"wikipediaId":230,"collections":231,"genres":232,"museum":238,"movements":241,"mediums":247},"Paris Street; Rainy Day","dead580e-420d-49ef-ab29-019b7606fd4b",[213],{"name":214,"id":215,"nationality":216,"slug":217,"biography":218,"born":219,"death":220,"image":221,"popularity":222,"sex":53,"wikipediaId":223},"Gustave Caillebotte","357d3c0f-0539-40f1-ad57-c9506f647b79",{"id":131,"name":132,"slug":133},"gustave-caillebotte","Gustave Caillebotte (French: ; 19 August 1848 – 21 February 1894) was a French painter who was a member and patron of the Impressionists, although he painted in a more realistic manner than many others in the group. Caillebotte was known for his early interest in photography as an art form. Because of his family's wealth, he was able to serve as a patron of many of his fellow Impressionists. Upon his death, his bequeathed collection of their works became the central collection of Impressionism for the French Republic, despite considerable controversy.\n\nHis most well known work has been Paris Street; Rainy Day, known for qualities such as its mise-en-scène presentation. The Art Institute of Chicago acquired it in 1964, and his work soon drew more attention in the 1970s. Although he has long been regarded for his philanthropy and support as a patron and promoter of Impressionism, he did not have an international retrospective of his work until 100 years after his death in 1994. In 2022, when France successfully attained possession of Boating Party, known for its close-up action perspective, through a National treasure of France declaration process, they asserted that work's cultural significance and prominence with a celebrated display, followed by a national tour of the work and then an exhibition of Caillebotte's work that toured internationally.","1848-08-19","1894-02-21","gustave-caillebotte\u002Fgustave-caillebotte",35,"Gustave_Caillebotte","paris-street-rainy-day","Paris Street; Rainy Day (French: Rue de Paris, temps de pluie) is a large 1877 oil painting by the French artist Gustave Caillebotte (1848–1894), and is his best known work. It shows a number of individuals walking through the Place de Dublin, then known as the Carrefour de Moscou, at an intersection to the east of the Gare Saint-Lazare in north Paris. Although Caillebotte was a friend and patron of many of the impressionist painters, and this work is part of that school, it differs in its realism and reliance on line rather than broad brush strokes.\n\nCaillebotte's interest in photography is evident. The figures in the foreground appear \"out of focus\", those in the mid-distance (the carriage and the pedestrians in the intersection) have sharp edges, while the features in the background become progressively indistinct. The severe cropping of some figures – particularly the man to the far right – further suggests the influence of photography.\n\nThe painting was first shown at the Third Impressionist Exhibition of 1877. It is currently owned by the Art Institute of Chicago. Art curator Gloria Groom described the work as \"the great picture of urban life in the late 19th century.\" It is known for qualities such as its mise-en-scène presentation and use of two-point perspective. Its 1964 acquisition by the Art Institute brought Caillebotte into greater prominence enabling his status as painter to begin to catchup to his status as a philanthropist, patron and promoter of art.",212.2,"Rue de Paris, temps de pluie (French)",83,276.2,"Paris_Street;_Rainy_Day",[],[233,237],{"name":234,"id":235,"slug":236},"Historical","7c4fd70a-c639-46a9-9138-c1a21665ca09","historical",{"name":66,"id":67,"slug":68},{"address":4,"latitude":5,"longitude":6,"name":7,"zipCode":8,"id":9,"city":239,"slug":20,"description":21,"background":22,"logo":23,"phone":24,"popularity":25,"schedules":19,"website":26,"wikipediaId":27},{"latitude":5,"longitude":11,"name":12,"id":13,"country":240,"slug":18,"image":19},{"id":15,"name":16,"slug":17},[242,246],{"name":243,"id":244,"slug":245,"dates":19},"Art Nouveau","23adb390-5145-484e-b4f8-131063856bbf","art-nouveau",{"name":157,"id":158,"slug":159,"dates":19},[248],{"name":79,"id":80,"slug":81},5,0,30,1,[]]