[{"data":1,"prerenderedAt":-1},["ShallowReactive",2],{"artist-jean-auguste-dominique-ingres":3,"artist-museums-jean-auguste-dominique-ingres":30,"artist-paintings-jean-auguste-dominique-ingres":60},{"name":4,"id":5,"nationality":6,"slug":10,"biography":11,"born":12,"death":13,"image":14,"popularity":15,"sex":16,"wikipediaId":17,"movements":18,"popularPaintingImages":28},"Jean-Auguste-Dominique Ingres","59f5f7c4-24df-4756-be46-72048f02482f",{"id":7,"name":8,"slug":9},"ed07084f-12cd-4fcc-b61e-8f2ba92e0866","French","french","jean-auguste-dominique-ingres","Jean-Auguste-Dominique Ingres (\u002Fˈæŋɡrə\u002F ANG-grə; French: ; 29 August 1780 – 14 January 1867) was a French Neoclassical painter. Ingres was profoundly influenced by past artistic traditions and aspired to become the guardian of academic orthodoxy against the ascendant Romantic style. Although he considered himself a painter of history in the tradition of Nicolas Poussin and Jacques-Louis David, it is his portraits, both painted and drawn, that are recognized as his greatest legacy. His expressive distortions of form and space made him an important precursor of modern art, influencing Henri Matisse, Pablo Picasso, and other modernists.\n\nBorn into a modest family in Montauban, he travelled to Paris to study in the studio of David. In 1802 he made his Salon debut, and won the Prix de Rome for his painting The Ambassadors of Agamemnon in the tent of Achilles. By the time he departed in 1806 for his residency in Rome, his style—revealing his close study of Italian and Flemish Renaissance masters—was fully developed, and would change little for the rest of his life. While working in Rome and subsequently Florence from 1806 to 1824, he regularly sent paintings to the Paris Salon, where they were faulted by critics who found his style bizarre and archaic. He received few commissions during this period for the history paintings he aspired to paint, but was able to support himself and his wife as a portrait painter and draughtsman.\n\nHe was finally recognized at the Salon in 1824, when his Raphaelesque painting, The Vow of Louis XIII, was met with acclaim, and Ingres was acknowledged as the leader of the Neoclassical school in France. Although the income from commissions for history paintings allowed him to paint fewer portraits, his Portrait of Monsieur Bertin marked his next popular success in 1833. The following year, his indignation at the harsh criticism of his ambitious composition The Martyrdom of Saint Symphorian caused him to return to Italy, where he assumed directorship of the French Academy in Rome in 1835. He returned to Paris for good in 1841. In his later years he painted new versions of many of his earlier compositions, a series of designs for stained glass windows, several important portraits of women, and The Turkish Bath, the last of his several Orientalist paintings of the female nude, which he finished at the age of 83.","1780-08-29","1867-01-14","jean-auguste-dominique-ingres\u002Fjean-auguste-dominique-ingres",21,"MALE","Jean-Auguste-Dominique_Ingres",[19,24],{"name":20,"id":21,"slug":22,"dates":23},"Orientalism","406b7dcd-7024-4100-a7d8-a20a93ea86ae","orientalism","",{"name":25,"id":26,"slug":27,"dates":23},"Neoclassicism","55bb3977-6a0c-40bc-8e60-e1546a18e193","neoclassicism",[29],"jean-auguste-dominique-ingres\u002Fgrande-odalisque\u002Fgrande-odalisque",{"items":31,"total":54,"page":58,"pageSize":59,"totalPages":54},[32],{"address":33,"latitude":34,"longitude":35,"name":36,"zipCode":37,"id":38,"city":39,"slug":49,"description":50,"background":51,"logo":52,"phone":53,"popularity":54,"schedules":55,"website":56,"wikipediaId":57},"Rue de Rivoli",48.8606,2.3376,"The Louvre","75001","3e34a0d4-4a99-4a9b-b804-3459b1a9d4f8",{"latitude":40,"longitude":41,"name":42,"id":43,"country":44,"slug":48,"image":23},48.8566,2.3522,"Paris","c9f0f895-fbdd-4ad7-9f28-2af0649b67a6",{"id":45,"name":46,"slug":47},"a9e28580-2462-4a82-8456-a1e0f199e85f","France","france","paris","the-louvre","The Louvre, or the Louvre Museum (French: Musée du Louvre), is a national art museum in Paris, France, and the most visited museum in the world. It is located on the Right Bank of the Seine in the city's 1st arrondissement (district) and home to some of the most canonical works of Western art, including the Mona Lisa, Venus de Milo, and Winged Victory. The museum is housed in the Louvre Palace, originally built in the late 12th to 13th century under Philip II. Remnants of the Medieval Louvre fortress are visible in the basement of the museum. Due to urban expansion, the fortress eventually lost its defensive function, and in 1546 Francis I converted it into the primary residence of the French kings.\n\nThe building was redesigned and extended many times to form the present Louvre Palace. In 1682, Louis XIV chose the Palace of Versailles for his household, leaving the Louvre primarily as a place to display the royal collection, including, from 1692, a collection of ancient Greek and Roman sculpture. In 1692, the building was occupied by the Académie des Inscriptions et Belles-Lettres and the Académie Royale de Peinture et de Sculpture, which in 1699 held the first of a series of salons. The Académie remained at the Louvre for 100 years. During the French Revolution, the National Assembly decreed that the Louvre should be used as a museum to display the nation's masterpieces. The palace and exhibition space was expanded in the 19th century and again in the 20th.\n\nThe museum opened on 10 August 1793 with an exhibition of 537 paintings, the majority of the works being royal and confiscated church property. Because of structural problems with the building, the museum was closed from 1796 until 1801. The collection was increased under Napoleon, after the Napoleonic looting of art in Europe, Egypt, and Syria, and the museum was renamed Musée Napoléon, but after Napoleon's abdication, many works seized by his armies were returned to their original owners. The collection was further increased during the reigns of Louis XVIII and Charles X, and during the Second French Empire the museum gained 20,000 pieces. Holdings have grown steadily through donations and bequests since the Third Republic. The collection is divided into eight departments: Egyptian Antiquities; Near Eastern Antiquities; Greek, Etruscan, and Roman Antiquities; Islamic Art; Sculpture; Decorative Arts; Paintings; Prints and Drawings.\n\nThe Musée du Louvre contains approximately 500,000 objects and displays 35,000 works of art in eight curatorial departments with more than 60,600 m2 (652,000 sq ft) dedicated to the permanent collection. The Louvre exhibits sculptures, objets d'art, paintings, drawings, and archaeological finds. At any given point in time, approximately 38,000 objects from prehistory to the 21st century are being exhibited over an area of 72,735 m2 (782,910 sq ft), making it the largest museum in the world. It received 8.7 million visitors in 2024, ranking it as the most-visited art museum, and most-visited museum of any category, in the world.","the-louvre\u002Fbackground\u002Fthe-louvre_background","the-louvre\u002Flogo\u002Fthe-louvre_logo","01 40 20 53 17",1,"Daily: 9:00 AM – 6:00 PM\nWednesday and Friday: open until 8:30 PM\nTuesday: closed","https:\u002F\u002Fwww.louvre.fr","Louvre",0,30,{"items":61,"total":54,"page":58,"pageSize":59,"totalPages":54},[62],{"title":63,"id":64,"artists":65,"slug":68,"date":69,"description":70,"height":71,"image":29,"inPrivateCollection":72,"isLocationUnknown":72,"originalTitle":73,"popularity":74,"width":75,"wikipediaId":76,"collections":77,"genres":78,"museum":83,"movements":86,"mediums":88},"Grande Odalisque","52e9f4ed-10b2-45fa-9920-5135d9c9e0b6",[66],{"name":4,"id":5,"nationality":67,"slug":10,"biography":11,"born":12,"death":13,"image":14,"popularity":15,"sex":16,"wikipediaId":17},{"id":7,"name":8,"slug":9},"grande-odalisque","1814","Grande Odalisque, also known as Une Odalisque or La Grande Odalisque, is an oil painting by Jean-Auguste-Dominique Ingres depicting an odalisque, or concubine in 1814. Ingres' contemporaries considered the work to signify Ingres' break from Neoclassicism, indicating a shift toward exotic Romanticism.\n\nGrande Odalisque received heavy criticism when it was first shown, and is renowned for the elongated proportions and lack of anatomical realism. The painting is currently owned by the Louvre Museum in Paris, which purchased the work in 1899.",88.9,false,"La Grande Odalisque (French)",36,162.56,"Grande_Odalisque",[],[79],{"name":80,"id":81,"slug":82},"Portrait","5e6f789a-abcd-4ef0-1234-567890abcdef","portrait",{"address":33,"latitude":34,"longitude":35,"name":36,"zipCode":37,"id":38,"city":84,"slug":49,"description":50,"background":51,"logo":52,"phone":53,"popularity":54,"schedules":55,"website":56,"wikipediaId":57},{"latitude":40,"longitude":41,"name":42,"id":43,"country":85,"slug":48,"image":23},{"id":45,"name":46,"slug":47},[87],{"name":25,"id":26,"slug":27,"dates":23},[89],{"name":90,"id":91,"slug":92},"Oil on canvas","f74fc1b0-2804-4c39-a52c-84cad71698d7","oil-on-canvas"]